IMO trying to study emotions in music is like the famous "Professional mastering" button so many are looking for in DAWs.
Unfortunately, the way you seem to think of music as chemistry and mathematics makes me think: If you have to ask that, you'll never understand it. You need a certain amount of skills and experience, of course, but if you need to start asking about emotions, then you're lost. You either have them, or you don't. It's like a robot in a sci-fi story asking for the key of being human.
There are hundreds of thousands of technically excellent composers and millions of good musicians in the world, but the minor differences that lift some of them to popularity or otherwise above the others are not pre-calculatable.