Pedro, why is it, that just because somebody listens to music that you don't like (or more accurately - don't
approve of - for whatever reasons), you feel the need to try and ridicule them?
For someone who obviously listens to a wide and eclectic variety of music, you obviously seem to miss the
point of it sometimes - actually listening to stuff because it sounds good. Instead, your first instinct seems to be to want to categorise it somehow, and crucially not in a musical way, but by all-encompassing genre-specific terms, often dismissing them on very loose and highly subjective terms, such as: Pop=too commercial; Clash=media hyped; etc.
You're opinions are valid, but I just don't understand the constant insinuations that the music you listen to is somehow superior to stuff others enjoy. It actually makes you sound like a bit of a music 'snob', and your attitude means you come across as a bit of a tool.
And seeing that you obviously think that you've hit on a bit of a raw nerve with your on-going disparagement of The Clash, let's see if we can get to the bottom of all this. In a previous post, I was half-joking about not bothering to reply to your "media-friendly" jibe, I honestly thought you were just trying to wind me up.
So what do you really know about The Clash? And not the stuff you can read online, but what do you
really know about their history, their formation, their eventual demise, and their relationship with the media?
And although it might seem like a bit of a irrelevance to you, what do you really think of their music? How many Clash albums have you listened to? And listened to
often enough to form genuine musical/lyrical/production etc opinions about?
I may be wrong, but to me you seem like a bit of a 'McCue' character on the sly. You love to sound like the big "I am" expert when you're discussing things and talking down to others, but unfortunately, every now and again your bullsh!t, and your lazy Google 'research' just doesn't cut the mustard when you inadvertently stumble upon someone who
really knows about the subject at hand. Then you start scrambling around and talking in a very non-specific fashion, backtracking and trying to escape with as much of your worthless reputation intact as you can.
So come on, let's have a
proper discussion about The Clash. And I'm happy for you to discuss
anything relating to the band, the personnel, the management. Whatever. Let's go.
Sh1t, I've even got books written by members of their road crew for fecks sake.
Sadly I was too young in '76/'77, but a dear old mate of mine used to literally
go on tour with them. He was one of the band's rather famous gang of followers/liggers that they (Joe in particular) used to sneak in to their hotel rooms and into gigs because they realised most of these die-hard fans couldn't afford to stay in hotels and buy tickets for every concert. In fact (and as an self-professed Clash expert, you'll probably already know this), the lyrics of the song
Complete Control make specific mention of this latter practice:
- On the last tour my mates couldn't get in
I'd open up the back door but they'd get run out again
So, although I wasn't actually 'there' like him, I have of course heard plenty of his tales of what went on behind the scenes from the horse's mouth.
My guess is that you've probably heard a few fleeting snippets of later-era Clash singles on the radio, and maybe also read a few column inches here and there to form your current opinion.
But who am I to know. You mightn't be quite so transparent and shallow as I'm led to believe...
So go on - try me.