I am not a man of letters, and I hope I don't offend those who have working knowledge of such subjects as the physical, mental and spiritual parts that make up a whole person. I count myself as blessed when I learn something new.
I might posit a few ideas here. The first is that creativity in the context of music can have many different components. From composition, to lyrics, to engineering, to connecting with others, to developing many different versions of the same work. The second is that it takes different thought processes within the whole person to become aware, and those vastly complex thought processes can use different parts of the brain and mind and effect how you get to and stay in magical moments.
This topic is fascinating to me for a few reasons. I found out a coupla years back, that I have high functioning ADD, and I am prone to bouts if you will, of hyper focus. Believe it or not, I think these two things are an amazing blessing. ADD gives me the ability to let something go- fast, become engaged with many things fearlessly, and that intense focus thing helps to analyze, and lock on to something until I know it inside and out - squirrel.
There are a few things that I cherish (aside from the loves of my life). The creative and analytical processes in me. So much so that I have a deep interest in how they affect my life, and how to take full advantage of them. Here's the kicker - for me... I noticed that there are times when the two can work side by side - like engineering, and connecting with others. There are also times where the analytical gets in the way of the creative - like composition, and lyrics. For me, I can turn on the analytical in about a minute, but connecting to the creative takes a lot longer. To keep this shorter, here's what I have learned for me, for the composition, and lyric component.
First, to maximize creativity, in a way, implies that I get to that state as fast as I can. If I am not in that state, I am opposite of maximize to begin with. For me, I need to move away from an analytical place, to get closer to a creative one. They don't seem to me, to be coming from the same place in my brain. To start, oddly enough I grab my guitar and run scales, arpeggios, walk through chord changes and analyze my performance as I am doing it. There's something in me that gets uncomfortable when I could make mistakes that don't sound good (keeping in mind mistakes can be a very good thing). As I practice and warm up a bit, I gain confidence, begin to have fun (I'm a performance nutcase), and relax. When I am relaxed, I am there.
Second tip, stay in the creative composition process. I maximize the time I am in it and do things to help me protect it. Since analytical seems to distract me, I do all I can to minimize any engineering effort like creating a bunch of tracks, mixing, adding effects and the like. It's hands on instrument, having fun (I have an affinity to performance..).
Third tip. Choose that which seems to be emotionally fulfilling at the time. This is where maximizing creativity with my fans, or friends, or just me takes place. Since performance is import, then making a emotional connection with as many people as I can is paramount. I find when I work on something that touches me, I also stay engaged. Putting it another way - choose wisely, because it can maximize the level in which I use my creativity.
Fourth tip. Get out of the studio. This might sound like heresy, but spend time watching other musicians live. Find partners in music to work with. The power of two is not just double maximizing, it's not linear. It can be exponential. I find I pick up whatever fever they have, and that sharing helps create many versions of an idea, faster.
But, Thats me...
Very best regards, and PLAY ON!
L