First of all AD is easily as programmable as BFD if not more so.
Where did I suggest otherwise ? Of course AD is easier to program since its has far fewer features.
Second creative ability and time are two completely different things. Non professionals such as yourself may have plenty of time to tweak drum mixes. The most creative professional composers will not have that luxury because people pay them to be creative and they have deadlines.
I agree and understand that those who are being paid and have time constraints may not have the time that I and so many other home enthusiasts have although if they are as you say "professional" they should have a pretty good idea how to mix drums anyway and would surely prefer to have more control.
I don't call my self professional mostly on account of the fact that the definition of professional means, "being paid" but I certainly don't believe that those who are making money are any more creative than me, productive maybe but not creative. The fact that music industry contracts require musicians to write and produce x amount of albums or projects per year is one of the reasons why so much music is just so bad.
I'd be curious to know just how many sonar users are home enthusiasts and musicians trying to do it on their own with no record labels, how many are film scorers and all other manner of creative arts for which sonar and drums can be used.
My guess is around half would be non paid bedroom musicians who make music for the love of it and for whom time isn't really such an issue.
So your implication that only people with no creativity or who are too lazy to learn drum mixing is naive at best.
I don't think I said that at all. I certainly didn't say or even suggest it was, "only people with no creativity or who are too lazy to learn" more that there are in my view, far too many people who fit very easily in to that catagory and that's not the same.
As I said, I wasn't looking for a debate on what I think are the rights and wrongs of those who, "do" fit in to that catagory, nor was I intending to denigrate them but obviously I have an opinion. Suffice to say my preference is for "originality" and to me that means, NOT using generic presets but I totally understand why people do and of course they can sound great too.
But for me it's only a stones throw from using other peoples loops or samples and whilst you can do it creatively it's not truly creative because it's not original and that's always been my bible. I struggle really hard to keep my music as original as I can and for that and a few reasons I never use midi loops or presets. It may well be that my music would be improved if I did but that's just me.
Natural, unprocessed drums work for some styles and processed drums work for other styles.
We're talking raw unprocessed samples here, I do an awful lot of processing and mashing up of my drums in BFD2 & 3 and rarely use just raw vanilla drums. Of course the way they're processed matters and can be what determines their genre too so processing is essential in that respect.
I use BFD when it sounds best, AD when it sounds best, SDD when it sounds best, KitCore or Battery when they are the best choice. If I'm working on a piece that needs unprocessed acoustic drums I can get equal results with BFD3, AD or SDD. It's all about context.
I didn't think you owned any BFD products ?
Use what works for you.
Yeah thanks
Steve