Thanks Mike I appreciate it.
I liked the comments on the vocal, I get you totally with that, I'm at a stage now where I'm kind of using a vocal synth behind my voice which gives it a kind of ADT sound but trust me it's still better presently than my unpitched, uncorrected voice although the more I do of these things the less likely I am to need the stabilisers on my bike.
It's like by the time you finished with a tune you are familiar with enought to treat it right but the last thing you feel like doing is re-taking the whole thing which would be the best idea really.
Maybe I'll give it a re-take after I've not been listening to it over and over again in a week or two's time.
I'm loving the Spacey pick-ups I put on my guitar though, they have turned it into that recording tool I was after, and that weird vintage fuzz-face type sound wouldn't have happened unless I was getting the right kind of output from the axe. It's really versatile for sound design purposes which is what I was after that Michael understood so well when he wound them bad boys up.