I'm working on a song where I'm trying to get a rhythmic clapping effect using multiple, layered claps. Trying to get that "gospel choir" feel a bit, although the clapping is not a quarter notes type of thing, but more of a fast 16th note thing. Either way, trying to get a big, fat sound. 
 
I recorded multiple layers of clapping, probably 5 or 6 layers of passes, but on playback, it sounds like tiny little pops, not the big fat clapping I'm going for. I've tried a variety of reverb settings, but so far nothing that's really gotten me much closer. 
 
Anyone have any suggestions for this? Any general type of EQ settings I should start with or particular reverb styles I should gravitate toward? 
 
Thanks!

Hi Kerch,
First, I want to apologize as my suggestion is not what you're looking for as far as technique is concerned, but thought it may help you with getting the job done.
 
I found these "279 Organic Handclap samples" clap pack loops (((shudder :))) that may possibly fit the bill. It does include "gang claps and big ambient claps" which you might be able to mix/match and use in multiple tracks. They're free (or make a donation) to download.
http://loopsdelacreme.bandcamp.com/album/clap-pack
 
If not, possibly someone else might chime in on a good technique.

The world of foley is based on exaggeration.  I would back off the mic w/ the handclaps - more of the room will help so the clap won't sound so thin.  You might pitch shift down.  Another trick is to have some friends over.  Offer a beer if that will help and have several people clap at once.  The timing difference will thicken the sound.
 
But for a movie we were trying to get the sound of a spanking.  Hitting one another didn't work.  I finally settled on a phone book dropping onto a wood floor.  Isolated, the last thing it sounded like was a whooping.  In the soundtrack it was a bit exaggerated, but since it was supposed to be cartoonish, it worked perfectly.  You might find something like that (maybe a Russian novel not phone book?).
 
Foley is fun.  A casaba mellon was perfect for the sound in the shower scene in of Pyscho.  Not a watermelon or cantaloupe.  And an antelope, more realistic, wouldn't have worked.
 
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