ORIGINAL: jmarkham
I think you'll find another set of strangeness with the OMF embedded ...
which led me to conclude that the digitranslator has really limited value
as compared to exporting the individual tracks from Sonar (as an option to
File->Export), exporting a MIDI track and then importing the whole lot into
PT (starting with the MIDI file). Unlike AAF, OMF doesn't have a whole lot
of info other than the audio track files and the markers.
I've heard of people having 96+ tracks .. in which case, the OMF
translator probably makes sense .. but $500 for it ? you may not
really need it.
best wishes on the 192 rig .. it sounds good don't it? If they just
had WDM/KS drivers for the hardware ;-)
jeff
ps: my PT friend says you don't need the translator once you've converted
the files ...
Right now what I am looking for is exporting several projects so I can start climbing the learning curve on Pro Tools. I am in the middle of producing a CD and a few smaller projects, so I am not ready to make the switch yet. I am tryaing to avoid as much manual file name changes and individual track exporting and importing, but if I have to do it, I guess I will. Thanks for the info on not needing the translator. If that is the case, then I am good to go. In the future, the real need I see for importing is if I am doing a remote session with Sonar (rhythm tracks mainly since my two room studio is kind of small, I usually do drums elsewhere), and that seems manageable on a track by track basis.
Thanks for the best wishes. I ended up with an HD2 system with a 96 I/O interface. I am thinking about taking the 96 back for a 192, I have uncovered a couple of things that I like better than were not clearly spelled out in docs I read and by the salesperson. I think I need your best wishes though, because software installation has been a nightmare. While I am mostly a hobbyist, I have been running a pretty nice Sonar setup for quite about 8 months, this is my first venture into a real PC based system (used a 2480 previously), like I said, I have lots of projects approaching 30 tracks each, lots of plugins, running an RME Multiface interface with Presonus and Focusrite preamps, and I am really happy with the quality I am getting, and I have done a good job squeezing out pro performance from my rig. I guess the point is, I sort of know what I am doing, and I have been surprised by how difficult Pro Tools has been to get running. The version of the software that came with the rig just locked up my system. Installing their latest version, 6.9 was a complete nightmare, and their tech support was not helpful ("yes, we know about those problems, don't know how to fix them"). Right now I do have 6.9 installed, and everything appears quite stable, but it was more work than expected.
Thanks again,
Tom