Amazing synth : -work by Vangelis

Jeff Evans
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The shorthand system he devised is to be able to see what instruments he is going to be addressing.  Quite a good system because of a simple squiggle or marking he knows exactly what instruments he is talking to.  Those boxes he is selecting buttons on are glorified program change senders I guess. The pedals all being continuous controllers as well of course. 
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Moshkito

craigb
I bet Pedro probably likes Merzbow! 

Of course you would not believe me and the story behind the music with Herb Ernst. You ought to reach him, and ask about it, and if you want to hear a recording of it, I have to ask the artist lady if I can share it, which I can do privately at home, but not in any other way, at this time. 
 
You have no sense of adventure and experimentation, and anything anyone says is wrong, until you see it in the tube. Too bad you never got to see the psychic experimentation I did with actors at UCSB ... they were really good and the results even better, but you don't believe in that stuff and how it affects and helps "creativity". You think creativity is looking at your DAW and putting/stretching another note!
 
It's not a matter of "liking". It's a matter of making sense of the sequence of noises and its artistry. Or you can take the sound effects library and a pile driver and loop it ... lots of talent for you Craig, since you do not read things here, and only find silly comments.
 
FAUST, for the most part was a lot of noise.
 
Ax Gernrich of Guru Guru in his early albums had all the noise a guitar could make that Jimi also had in concert that all producers in America made sure you did not hear, because it was not a song! On his solo albums, they are even weirder with a banjo and strange instruments.
 
The drummer in Grobbschnitt (Eroc) also has a lot of weirdness and noise in his solo albums, and they are fun to listen to.
 
Or, if you get bored, there is always MFrogg (Jean Yves Labat) that had a lot of fun with Rodd Tundgroon and in at least one cut it is all about swearing in echo and distortion for your delectation. 
 
Another noise artist, and sometimes mostly sound effects is Ron Geesin, and his albums are always fun to listen to ... but at times a bit weird, as you can not see any logic, other than just experimentation, it seems.
 
Eduard Artemiev was doing "noise" as music long before you even heard of Jarre, Vangelis or Tangerine Dream.
 
Bernard Herrman, used Theramins and other new electronic "things" to create some sounds for many of his sci-fi films.
 
Soundtracks like "Forbidden Planet", and a few others had so much "noise" as to actually make folks uncomfortable with the soundtrack. 
 
George Harrison's Lectronic Sounds is more about the noise than it is anything else ... totally experimental, but at least you don't hear two folks having sex in the background, like his friend did later! That's a few too many sounds for YO haters!
 
The only "noise" I object to, is the one that is often considered "classical music", and it has no feeling, no flow, and no show, and it is just like some of your comments ... no sense or pride or prejudice ... just senseless.
 
When you want to look at "noise" in music, my collection is open for you to look at ... ohh, did I mention early CAN and even Holger Czukay?
 
I thought you knew your music, and even my listening habits, including my history of listening, now for 45 years! Maybe you think I only listen to top ten songs and have no idea what albums or MUSIC is really all about! You better look in the mirror, boy!

eph221
 
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you're a psychic now? smh.