Exporting in Sonar

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bitflipper
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Re:Exporting in Sonar 2010/05/19 13:37:40 (permalink)
If the rendering algorithm changes to the higher quality mode, is it more likely to cause a CPU overload during real-time bounce/export?

That would be my assumption. Which would reinforce the Garritan guy's recommendation to always bounce his product using the fast bounce.


All else is in doubt, so this is the truth I cling to. 

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#31
johnnyV
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Re:Exporting in Sonar 2010/05/19 15:09:48 (permalink)
Bristol. I like your explanation, That does give a good argument for the audio only format. I know we now have huge hard drives but if your like me I still do regular housekeeping of all my computers. It's only for some old school reasoning that it will work better if I delete the boogers hiding away that I'll never use again. Is'nt there a TV show about hoarders?

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#32
mikespitzer
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Re:Exporting in Sonar 2011/03/22 15:02:41 (permalink)
As all us SONAR users know, the easiest way to go for example from a 24/96 multi-track project to a 24/44.1 Stereo WAV file to be used by a Mastering facility to eventually generate a finished CD-compatible 16/44.1 file is to use SONAR's EXPORT function (with all the options for automation, etc.. active).
 
However, here is a question for all you studio guys who might be using things like vintage or classic external non-VST/USB  hardware  (example : Lexicon 480L Reverbs, etc..)   or other external audio path effects via Sends/Returns for some of your effects instead of plug-ins.
 
Obviously the EXPORT feature will not work in this case, because these external hardware effects only receive and return a signal when the project is PLAYING and the audio streams can go out the sends, to the hardware unit, back via the returns and be added to the mix.  (ie... think the analog days and the rack of gear beside the console wen mixing).
 
In this case, you must use some other "2 Track Mastering Recorder" application of some sort to record your SONAR project playing with all the hardware effects returns , etc...
(again , very similar to the analog days where you had some 2 track recorder capturing your mixdown playing with all the effects running, etc..)
Question --
 
For those of you who may be working this way , What application do you use for recording your 2-track stereo mixdown in this type of situation when classic external hardware is being used ?
 
(Note- I know some newer hardware effects can be plugged into USB or firewire and act much like a plug-in .... I am not referring to these .... I am talking about older, vintage or classic hardware units that only handle AUDIO in and out) 

 
Thanks
#33
mikespitzer
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Re:Exporting in Sonar 2011/03/22 20:17:15 (permalink)
Can somebody better explain exactly what LIVE INPUT is really supposed to do when I select it along with Audible (real time) EXPORT ?

I was assuming this pretty much would EXPORT "what you hear" ........ meaning the project and any audio coming in on the interface inputs.

Well, I tried it tonight (see my set up above post).

During the real time export, I could hear the Reverb and Delay in the mix (audio effect returns coming in on 3/4  and 5/6 of the Delta 1010 Rackmount Interface). 

However, the exported WAV file was dry, dry, dry.

Apparently LIVE INPUT in Sonar's definition does not really mean the project which is playing AND and and audio coming from the interface inputs.

Do they only mean ECHO Monitoring ?
#34
Bristol_Jonesey
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Re:Exporting in Sonar 2011/03/23 08:32:00 (permalink)
Can't help you there Mike, never tried to use that particular 'function'

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