Doing a fade out on one clip and a fade in on the other is more fiddly and less precise than collapsing the lanes and dragging one clip over the other. With layers it was even more efficient - for example, I could do all my edits, leaving space on each clip for the crossfades, and then simple drag one layer over the other, automatically creating crossfades at each overlap. I haven't found that to work well now. In the old model, I could hover between clips on two different layers, and a crossfade cursor would appear, allowing me to crossfade two clips easily (I think it was about a 10ms crossfade). Now, there does occasionally appear a crossfade cursor, which has some nice functionality, but it only appears sometimes and frankly I'm not sure what makes it show up. Now, yes I could find that information out, but then I have to keep track of some computer programs temperament rather than simply choosing what clips I would like to hear when.
Sure, yes, Sonar in its current incarnation can be used to make music. I hereby merely register my continued dissatisfaction with the new system. It's a big change to working methods which continues to cause headaches and which it seems to me is entirely unnecessary, since with the 'edit focus' menu (whatever the thing is that lets you choose between clips, midi notes, etc) it would be possible to allow the old layers functionality as an option. The stereo/mono switch thing is even more of a headscratcher since it's not like it was hurting anyone to have the possibility of seeing it in the track view.
I have no use for destructively edited crossfades.
Thanks for listening.