Philip
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Re:Guitar tone strategies
2011/10/17 21:04:47
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Awesome thread!!! Capturing majestic guitar vibes, joyful noises, and tones (mostly not mine), has been my 'mission' ... and that of many of us. Except for vox, no instrument comes near the rever'd axe, IMHO. Jealousy lashes out within (me) and helps me appreciate the higher beauty of stringed instruments: both acoustic and electric. Danny somehow has been enabled to intuitively paint portraits and landscapes of nature with electric guitar being his 'paint brush': city sounds, dog-barks, traffic, etc. ... you name it. I've begged him oft to save his mp3 crumbs for me (especially subconscious melodious sketches) 'that fall from this master's table' ... Unfortunately: Electric guitar is an elusive subculture that the Op modestly aspires for. It is difficult to master this craft, I know! (For 30 years I've failed at it) It is not for the faint of heart. Also, many egotistical electric guitarists make ... promises promises -- ha ha ha! Fortunately, Guitar masters here currently, are oft able to collab and/or enlist with any of us 'less gifted'. Its tricky to capture one, yes. But, I've collab'd with many superb electric guitarists here and thank God for all the gleaned pearl-crumbs I gathered. When one fails at his/her promise there's always another electric guitarist anxious to help!
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michaelhanson
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Re:Guitar tone strategies
2011/10/17 22:04:12
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I must have missed a CD in my SRV collection because I don't have the heavy metal one.
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PGShadow
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Re:Guitar tone strategies
2011/10/17 23:43:19
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mike_mccue "I'm gonna try the triple track/eq. (1 for lows/1 for mids/1 for highs) first thing in the morning." Is that for the rhythm or the lead? :-) Well, tried this out today on a rhythm track...I think on a lead track this would kind of be a waist, since your not going to be dealing with alot of low freq. I will admitt this was a bit of a balancing act, but it is something I will be playing with on other guitar trks. I even played around with placment of the traks in the stereo field, which does sound kinda cool. BIG guitar wall now. How I have it set up now is... trk1, original git. trk, panned 40%R mid vol, just enough to give it a focused space of its own trk2,Low EQ git trk, panned 15%L eq has small +3db boost @ 200Hz...shelved both sides of that trk3,Mid EQ git trk, panned 30R eq has nice roundness of-6db peeking @ about 900Hz and rolled off on both sides of that trk4,High EQ git trk, panned 40%L eq looks like a bubble from 900Hz and starts to roll off at 8k, with a small -3db dip at 4k I'm now going to play with the Bass EQing like this, but not on the panning, I always keep my bass down the middle. I do see another benefit to this...play with volume automation to work around freq. issues during changes in the song. Once again Thanks to DannY for sharing and making me think in a different direction & wanna play with my stuff more.
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The Maillard Reaction
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Re:Guitar tone strategies
2011/10/18 07:05:34
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Are the four rhythm tracks you mentioned different takes of the same part? best, mike
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PGShadow
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Re:Guitar tone strategies
2011/10/18 14:39:27
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mike_mccue Are the four rhythm tracks you mentioned different takes of the same part? best, mike I took the easy route and cloned the original trk. I didn't wanna risk continuity in the guitar trks and just go for the "guitar everywhere" sound. I'll be working on the Bass this afternoon. Hope this works out, I play a 5string that can be a monster to EQ at times...especially below E.
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Danny Danzi
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Re:Guitar tone strategies
2011/10/18 14:56:23
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PGShadow mike_mccue Are the four rhythm tracks you mentioned different takes of the same part? best, mike I took the easy route and cloned the original trk. I didn't wanna risk continuity in the guitar trks and just go for the "guitar everywhere" sound. I'll be working on the Bass this afternoon. Hope this works out, I play a 5string that can be a monster to EQ at times...especially below E. Mike brings up a good point....and PG, you missed the whole point of the layers my friend. Sorry to say. LOL! If you clone, you're not layering and it is not even close to having what is considered "the layered sound". Trust me when I tell you...when you play the tracks individually...this new animal comes out of its cage that you have to experience the right way to appreciate it. Next, the pans you listed are a bit too narrow. Try to stay away from hard pans...100% left/rights unless of course you really feel your rhythm guitars should be out that wide. But you can go a bit wider than you did. You can get away with wide pans when layering...but let me share a few thing with you on this. Listener fatigue: This comes in when we hard pan too much. The reason being...there is nowhere left for things to go. It's like being wide open for the entire song. Your hard pans (for most things) should be your specialty zone. You'll also notice that when you hard pan, your guitars are too far separated from your drum kit. Leave those wide pans for things you want to leap out. I hate toms, cymbals and guitars that take on wide pan fields. It's so separated it just sounds loose. Think of your mix as a soundstage. Drums in the middle with panning that goes with the kit, but not too extreme....guitars on the outside of the kit, but not too extreme...you'll get more impact out of your mixes...trust me. The wide stuff will sound good in headphones and earbuds...but will sound loose and separated in real monitors as well as your car. Guitar size: Pan a rhythm guitar all the way to the left and listen to it. Now pan it to about 80% left. What do you notice? Right...when it's far left, it sounds like a lil bee buzzing around with no definition because we're not allowing it to grow and expand in sound size. When you tighten it up a bit, it actually sounds more like a guitar and you can hear all the elements of the tone. :) As for the lead guitar layering thing....that was Mike messing with you. :) You shouldn't need to layer a lead guitar unless you feel the need for something a bit different sounding. The thing to keep in mind here if you do it...you MUST play the part exact or it's going to sound bad. Randy Rhoads was famous for playing the exact same thing numerous times like a maniac. That dude could play something 12 times and give you the same take. Now that form of layering can be super cool, but you HAVE to play the part exactly and let me tell you, it's not easy especially if you're an improv player that may not be able to play the same vicious solo twice. I have a version of me and a friend playing Over The Mountain by Ozzy. I had to do my best Randy impression and double up the solo...it was a nightmare because well...though I played his solo "in the flavor of Randy" I did my own thing...and the thing I came up with was a nightmare to play once let alone twice. LOL! I think it took me like 150 takes on the initial solo and then 250 something to nail it again exactly to what I had originally played. Hahahaha! So be careful when you try to do something like that...it can beat you up pretty good if you can't play the part exact. :) Good luck man. -Danny
post edited by Danny Danzi - 2011/10/18 14:57:33
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PGShadow
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Re:Guitar tone strategies
2011/10/18 18:51:51
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LOL!! Sorry DannY, I guess I forgot to mention I'm a cut & paste kinda guy...I don't do anything 4 times But I am pickin up on what your put'in down. I did play around alot with the planning, starting at 100%L/R and slowly brought them back in till settling on the current settings. But you are right they could spread out a touch more. I may have "totally missed the point", but like I said before, you got me thinking in a different direction and I thoroughly enjoy thinking outside the box. Peace, Kev
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agape
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Re:Guitar tone strategies
2011/10/18 21:47:54
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Play the parts over and over again and they will get thick and sound awesome. I love to do that while mixing up the tones. If i am cheating and using a pod or something of that nature I will set a high gain tone for one channel and a dirty tone for the other channel, pan hard left and right and record them to seperate tracks (back off the hard pan once you have them recorded in Sonar), and then reverse it for the second take. You could also do that with two amps, crank one up for a nice metal sound and the other for a dirty blues sound. That way you get four guitars in two takes. It is a trick I use to speed things up a bit if I don't want to take the time to record four or more different takes. Not quite the same as doing individual tracks but helps if you have trouble playing things the same way twice. That really is the key though in my book, getting each take as close as you can. The little bit you are off in each take just makes things sound huge but you don't want to know there are multiple guitar tracks going as you listen. I also find that a cleaner tone helps things chug and cut through but you want the high gain sustain in there as well.
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Danny Danzi
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Re:Guitar tone strategies
2011/10/18 22:06:32
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PGShadow LOL!! Sorry DannY, I guess I forgot to mention I'm a cut & paste kinda guy...I don't do anything 4 times But I am pickin up on what your put'in down. I did play around alot with the planning, starting at 100%L/R and slowly brought them back in till settling on the current settings. But you are right they could spread out a touch more. I may have "totally missed the point", but like I said before, you got me thinking in a different direction and I thoroughly enjoy thinking outside the box. Peace, Kev Hahah no need to be sorry....I just wanted you to experience the full layer thing. You wait Kev, when/if you try it, the first thing you'll say is "that doirty baystid....he was right...dear Lord this sounds cool!!!" :) Whatever ya do though...don't make them all the same volume. Think of back up vocals...that's kinda how you have to mix them level-wise. You know what's pretty cool too that you can try... Record one guitar in mono, put a HAAS delay on it using a Sonitus. Run the left side delay at 0.1 ms, the right side delay at 22ms. No feedback, no crossfeed, both outputs at 100, filters set to off. Record another guitar playing the same thing in mono...add another Sonitus delay....run it the same way as the other one, but this time, reverse the delay times so the left one is at 22ms the right one is at 0.1. Give that a listen...it's pretty crazy. :) -Danny
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PGShadow
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Re:Guitar tone strategies
2011/10/18 23:49:06
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LOL!, oh you know I'm gonna try it. Just finished the triple trk. EQ on the bass. Must say I'm happy with the out come.
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Danny Danzi
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Re:Guitar tone strategies
2011/10/18 23:54:40
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Triple track bass? As in bass guitar?! LOL! You're kidding, right? You maniac! I hope I read that wrong! Hahahahaha! You stick with me brother...I'll have you printing guitar symphony stuff in no time! Hahaha! :) -Danny
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Bristol_Jonesey
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Re:Guitar tone strategies
2011/10/19 04:32:12
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Great stuff Danny! You've got me itching to pick up my guitar again. Haven't played for about 3 months now. Luckily I've got several WIP projects that need a fair bit of guitar on them, so once those calluses are back..........
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PGShadow
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Re:Guitar tone strategies
2011/10/19 05:08:07
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Danny Danzi Triple track bass? As in bass guitar?! LOL! You're kidding, right? You maniac! I hope I read that wrong! Hahahahaha! You stick with me brother...I'll have you printing guitar symphony stuff in no time! Hahaha! :) -Danny LOL..Yes, Yes, No, Yes, No. Guitar symphony?! Hey I just said, "I like to think outside the box", doesnt mean I can play outside the box. LOL
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The Maillard Reaction
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Re:Guitar tone strategies
2011/10/19 08:29:32
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Here's my guitar tone strategy: I play several different guitars because each one has a different tone. The tones the guitar display are based on the combination of features they have. Some have light weight bodies and some are heavy. Some are hollow. Some have heavy strings and some have light strings. Some have mediums. Some have single coils and some have humbuckers. Some of the single coils are over wound.. and some have the traditional winding counts. Most of my pickups have hi guass magnets for focused and tight response. What that really means is that most of the pickups have alnico rather than ceramic magnets. I have the guitars because each one has a different tone. Also each guitar sits on my belly a bit differently and so my attitude and string attack seems to morph when I switch out guitars. I have a big old box of pedals... but years ago I simply got bored with them. They were fun while it lasted. I have more guitar amplifiers than I care to count. Each one has a specific tone... and when I want to switch up my sound "globally" I pull my cord and patch it in to another amp. I also build my own amps from scratch. It's fun and I learn more about guitar tone when I select each and every component and consider it's effect on the end result sound. I hook my amplifiers up to speakers that I have spent a lifetime collecting. I like the unique sounds that each speaker makes and I like to use them to suit my taste for the day. If I am using an amp that I want to stick with but I want to change it up a bit... I'll simply plug the amp into another speaker. So that's how I swap out basic tones. The rest of my approach is all based on string attack. I play both finger style and with a pick. My finger style approach is similar to someone like Gatemouth Brown... it's not a delicate style... it's more bar room brawl style. One reason I have gravitated to the simpler patches (as opposed to my past experience using lots of daisy chained pedals) is that I have become more interested in the expressive qualities of guitar playing. I enjoy practicing the craft of expression via a guitar and I have found that, for me, the more directly I connect the guitar to the first tube stage the more my guitar tone seems to react to every little nuanced difference in string attack. For me, my guitar tone strategy is to try play a part that sounds so *right* that people take it for granted and assume it just happened that way. My guitar tone strategy is to play a part that fits the arrangement so effectively that I can pan straight down the middle and have the part actually contribute to the song. My strategy doesn't dwell on a bunch of panning and delay tricks designed to patch up a track so that it is listenable. When I have to use these kinds of tricks to bale somebody out... I find them amusing, simplistic, and banal... and I think the results usually speak for themselves... you end up with a manicured sound that puts people to sleep. I play guitar just about every day I am not on the road working at a gig... and I still like playing hi-gain and really really loud. I feel lucky, my space is located where I can play at full tilt 24/7... so I never have to compromise on my fun. Playing regularly lets me focus on expression and string attack because I rarely worry about fitness or finger strength. I like playing loud when I practice because it lets me scrutinize and learn just how bad my string attack and handling is... the flubs stick out and hurt you. One "outside the box" aspect of my guitar tone stratgey is that I purposefully still do lots of manual labor when "sensible" people might think I should hire a service provider. I like having workingman hands and forearms as my specific and very personal interest in guitar tone is the vibe of a muscular rock and roll attitude. Guys like Warren Hayes and BB King have those big muscular hands... and you can hear it. I don't have what they have... but I do think doing lots of hand labor keeps my forearms robust and it's something I can hear in my personal guitar style. That is, in brief, my guitar tone strategy. :-) I'm going over to my space to play some dual leads over a Layla jam track that I sometimes play along with. Might do some Skynard too. best regards, mike
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spacey
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Re:Guitar tone strategies
2011/10/19 09:42:07
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"Tone is in the fingers, effects are for colors"- Joe Satriani One can pickup another players guitar/rig- not change a thing and not sound like that player. There is no set arrangement of equipment nor settings that work for every player to achieve a specific tone and sound for a specific part. Each part, rhythm, lead, fills used in different styles require the player to determine what the settings are for HIS character and to compliment the part. How he learns HIS procedures to achieve HIS sound is not going to be found in a forum. He will discover his sound and control of tone by practicing and studying playing techniques. Then he may learn how to adjust whatever equipment he may use in the chain to compliment his/her sound or add "color" to it. Then he may learn how to record and mix ....to seperate parts and color to enhance his particular sound for a particular part. The player will be the one to determine what playing techniques and instruments give him the ability to achieve his sound. It will not be found in forum. Suggestions may be offered so one may try and determine the value of a suggestion and I'll never understand why another would try to diminish another forum members point of view when it is within reason and offered as information for the person inquiring to decide the validity. Pretty strange really IMO.
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zungle
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Re:Guitar tone strategies
2011/10/19 11:05:33
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"Tone is in the fingers, effects are for colors" So very true...............
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mcourter
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Re:Guitar tone strategies
2011/10/19 16:06:49
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Shoot, I think ALL of you are right, even when you voice opposing views. There's no right or wrong way to approach tone, you just keep working on it until you find something you like.....hopefully. After playing for 35 years, I've found a few rhythm tones I rely upon, but I never feel satisfied with my lead tones. But isn't that what keeps us coming back?
A few guitars, a couple of basses, a MIDI controller, a mandolin, a banjo, a mic, PodFarm2 Unbridled Enthusiasm My music: www.Soundclick.com/markcourter
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Danny Danzi
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Re:Guitar tone strategies
2011/10/19 17:02:33
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I'm going to attempt to explain myself once more just because I feel the need to to drive a few points home. Mike: Everything you added in your last post is completely valid and great stuff to consider. However, when layering tones for more modern music, your statement here in my opinion is the furthest from the truth. "My strategy doesn't dwell on a bunch of panning and delay tricks designed to patch up a track so that it is listenable. When I have to use these kinds of tricks to bale somebody out... I find them amusing, simplistic, and banal... and I think the results usually speak for themselves... you end up with a manicured sound that puts people to sleep." If you don't layer and pan, you're not going to get "the layered sound" we are talking about here. Listen to some of the bands that are doing this...Creed, Disturbed, Sixx AM, Skillet, Alice in Chains...they are creating multiple layers with multiple amps and guitars and panning them to create a wall of orchestrated rhythm guitars. If you don't pan, you will not get the same results. As for the delay tricks...I'm not patching up anything. I offered a form of quick guitar layering that works rather well, is not amusing, banal or boring to put anyone to sleep. It's not a trick to bail someone out...it's an art of playing two guitar tracks and putting a HAAS delay effect on the tracks and reversing them. Here is a prime example of it in action. I didn't mix this, it was recorded a long time ago, you'll probably hate the tone and my playing...and that's ok...but it is a form of a quickie layering trick that works for the song and was fun to do. The rhythms are 2 individual tracks with the HAAS trick I explained above. Boring, amusing, banal, manicured that puts people to sleep? LOL...ok, if you say so. I like it and so did those that have heard this track. http://dl.dropbox.com/u/4909348/BarkFinalMaster.mp3 Spacey: I will take it that your comment here was for me and if so, I'd like to once again try to explain my stance: Suggestions may be offered so one may try and determine the value of a suggestion and I'll never understand why another would try to diminish another forum members point of view when it is within reason and offered as information for the person inquiring to decide the validity. Pretty strange really IMO Your suggestion was to buy Eric Johnson videos which would be most helpful to anyone into the guitar. However, Eric has a completely different style and doesn't use high gain sounds. So all I meant to explain was, though he is a guitar hero and one of the best around, taking tone advice from him *may* not help you with a high gain Satch or Vai tone. Would you agree that I'd be correct in stating that possibility? You see, though you offered a suggestion, you didn't offer anything specific for the OP to try that answers his question in my opinion. You told him about a video that will help with aspects of guitar as well as techniques and tone....but is that the type of tone help that will give him the answers he seeks? I personally do not think so because EJ has a more pure tone. This is where pick dynamics and all the things you and Mike mention come into play. When you have a high gain amp that is compressed and loaded with other processing gizmo's, this stuff is less apparent. I'm talking high gain saturation using a good front end with 12AX7 tubes as opposed to pedal gain or low gain and output tube saturation. This is what I meant when I said "these are totally different." When your tone is cleaner...your pick dynamics, attacks...all that stuff comes into play. Loads of a high gain sound with processors and 12AX7 tubes giving you nearly infinite sustain on the front end, and it is and never will be the same animal as a more purist tone. I also made a mention of techniques such as artificial harmonics etc not playing a role in what gives a Vai or Satch sound...and now that Max has expanded on what his questions was all about, we see that the above mentioned "techniques" will not help him achieve what he was looking for. How am I wrong when the information your are posting (though good) is not really relevent to what the OP is asking for? Where do low gain methods or techniques from Eric Johnson assist a user with a high gain Satch or Vai sound that is looking for layers come into play when Eric Johnson has NEVER layered rhythm guitars like what we are talking about here to where they sound like a wall? What *I* find strange is how you would take what I've said to heart in the way you have when I have been nothing but civil to you and informative with my explanations? It's not like you offered any techincal advice to the OP...to which I would not disgree with if it was really something that had something to do with layering or high gain. I just said in not so many words "EJ is great, but you don't call on a dude that uses a pure, low gain tone in place of a guy that does if you really want to learn and see what is going on." But for some reason, you have a problem with that and think that I have something against you. I can't explain it any better than I have and am sorry if you feel my opinion is too strong. I'm trying to help the guy with the shortest path to the finish line using my experience. If you told him to buy a George Lynch, Vinnie Moore or John Petrucci video that explained their tones....I'd high five you because those guys are on the same page and within a similar style...and none of them uses a purist tone with low gain front end and loud output tube saturation for most on their dirty rhythm and lead stuff. Sure, they do the pure thing at times as nothing beats that low gain, high volume output tube tone for certain situations...but the OP mentioned specifically what he was after and I felt what you offered may not be the best solution based on my experience as well as my study of EJ. I'm sorry you feel the way you feel about my response and that I disrupted your suggestion with my comments. But, with all due respect I still hold true to my thoughts on this and I guess we'll just have to agree to disagree. -Danny
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spacey
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Re:Guitar tone strategies
2011/10/19 20:20:02
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Danny Danzi Spacey: I will take it that your comment here was for me and if so, I'd like to once again try to explain my stance: Suggestions may be offered so one may try and determine the value of a suggestion and I'll never understand why another would try to diminish another forum members point of view when it is within reason and offered as information for the person inquiring to decide the validity. Pretty strange really IMO Your suggestion was to buy Eric Johnson videos which would be most helpful to anyone into the guitar. However, Eric has a completely different style and doesn't use high gain sounds. So all I meant to explain was, though he is a guitar hero and one of the best around, taking tone advice from him *may* not help you with a high gain Satch or Vai tone. Would you agree that I'd be correct in stating that possibility? You see, though you offered a suggestion, you didn't offer anything specific for the OP to try that answers his question in my opinion. You told him about a video that will help with aspects of guitar as well as techniques and tone....but is that the type of tone help that will give him the answers he seeks? I personally do not think so because EJ has a more pure tone. This is where pick dynamics and all the things you and Mike mention come into play. When you have a high gain amp that is compressed and loaded with other processing gizmo's, this stuff is less apparent. I'm talking high gain saturation using a good front end with 12AX7 tubes as opposed to pedal gain or low gain and output tube saturation. This is what I meant when I said "these are totally different." When your tone is cleaner...your pick dynamics, attacks...all that stuff comes into play. Loads of a high gain sound with processors and 12AX7 tubes giving you nearly infinite sustain on the front end, and it is and never will be the same animal as a more purist tone. I also made a mention of techniques such as artificial harmonics etc not playing a role in what gives a Vai or Satch sound...and now that Max has expanded on what his questions was all about, we see that the above mentioned "techniques" will not help him achieve what he was looking for. How am I wrong when the information your are posting (though good) is not really relevent to what the OP is asking for? Where do low gain methods or techniques from Eric Johnson assist a user with a high gain Satch or Vai sound that is looking for layers come into play when Eric Johnson has NEVER layered rhythm guitars like what we are talking about here to where they sound like a wall? What *I* find strange is how you would take what I've said to heart in the way you have when I have been nothing but civil to you and informative with my explanations? It's not like you offered any techincal advice to the OP...to which I would not disgree with if it was really something that had something to do with layering or high gain. I just said in not so many words "EJ is great, but you don't call on a dude that uses a pure, low gain tone in place of a guy that does if you really want to learn and see what is going on." But for some reason, you have a problem with that and think that I have something against you. I can't explain it any better than I have and am sorry if you feel my opinion is too strong. I'm trying to help the guy with the shortest path to the finish line using my experience. If you told him to buy a George Lynch, Vinnie Moore or John Petrucci video that explained their tones....I'd high five you because those guys are on the same page and within a similar style...and none of them uses a purist tone with low gain front end and loud output tube saturation for most on their dirty rhythm and lead stuff. Sure, they do the pure thing at times as nothing beats that low gain, high volume output tube tone for certain situations...but the OP mentioned specifically what he was after and I felt what you offered may not be the best solution based on my experience as well as my study of EJ. I'm sorry you feel the way you feel about my response and that I disrupted your suggestion with my comments. But, with all due respect I still hold true to my thoughts on this and I guess we'll just have to agree to disagree. -Danny You're the one that made it a point to disagree...and still doing so. I'm fine with that. I'll still recommend to any player to listen to any pro player that offers information about playing such as Eric. I don't care what style it is...you do. You don't think it's applicable advise....I don't care, I didn't offer it to you and the OP can take it or leave it. No sweat to me anyway.
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maximumpower
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Re:Guitar tone strategies
2011/10/19 21:04:38
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Danny, you answered my question and then some. Thanks! I like your guitar playing too. Wish I was half as talented. BATM sounded excellent to me. Now I am full of inspiration and need to get some more guitar practice in so I can get that inspiration down on tape... or whatever the kids call it nowadays. :-) Thanks to all who participated in this thread!
Win 10 (64 bit), i7-2600k 3.4GHz , 8 GB RAM, SATA III (500GB SSD - System, 2TB WD Black - Data), Sonar Platinum x64, m-audio Profire 610
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Danny Danzi
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Re:Guitar tone strategies
2011/10/19 23:29:43
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maximumpower Danny, you answered my question and then some. Thanks! I like your guitar playing too. Wish I was half as talented. BATM sounded excellent to me. Now I am full of inspiration and need to get some more guitar practice in so I can get that inspiration down on tape... or whatever the kids call it nowadays. :-) Thanks to all who participated in this thread! You're welcome man....and thank you for the kind words on my playing. Best of luck with everything. :) -Danny
My Site Fractal Audio Endorsed Artist & Beta Tester
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The Maillard Reaction
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Re:Guitar tone strategies
2011/10/20 07:09:40
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...I find it ironic that you would mention Creed. :-)
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ChuckC
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Re:Guitar tone strategies
2011/10/20 07:49:58
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One of my favorite guitar sounds I have ever recorded was a single take, single rythem guitar left dead center on an uncluttered mix where I just nailed the tone, & mic placement. I have yet to be able to duplicate that again.
ADK Built DAW, W7, Sonar Platinum, Studio One Pro,Yamaha HS8's & HS8S Presonus Studio/Live 24.4.2, A few decent mic pre's, lots of mics, 57's,58 betas, Sm7b, LD Condensors, Small condensors, Senn 421's, DI's, Sans Amp, A few guitar amps etc. Guitars : Gib. LP, Epi. Lp, Dillion Tele, Ibanez beater, Ibanez Ergodyne 4 String bass, Mapex Mars series 6 pc. studio kit, cymbals and other sh*t. http://www.everythingiam.net/ http://www.stormroomstudios.com Some of my productions: http://soundcloud.com/stormroomstudios
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Guitarhacker
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Re:Guitar tone strategies
2011/10/20 08:29:45
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I hear ya Chuck on good tone settings lost. As far as tone.... I believe it's a combo of the gear and the player's techniques. I personally, have a limited arsenal of guitars and amps to select from. I have one electric Gibson SG and (now) I have 2 acoustic guitars (Alverez and Taylor) as far as amps...I actually have 4 of them.... a small no frills Behringer practice amp, a Vox AD30 modeling amp, a mesa studio 22, and a POD2. I have decided recently to start working on the miking techniques to learn how to get good sound from the acoustics and the amps. Up to this point I have relied almost exclusively on the POD2 for guitar sound, and I realize that it is very limited and has a certain sound that sounds good but doesn't really sound like an amp in the room. I have pretty much also relied on single take guitar tracks with no doubling or layering...another thing I have determined to begin experimenting with. I have read the comments here and in other threads on this topic and have discovered a few things that I will begin to experiment with.
My website & music: www.herbhartley.com MC4/5/6/X1e.c, on a Custom DAW Focusrite Firewire Saffire Interface BMI/NSAI "Just as the blade chooses the warrior, so too, the song chooses the writer "
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montezuma
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Re:Guitar tone strategies
2011/10/20 09:24:37
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Lately I've been recording a bit of guitar from a VOX ac4tv...I find that for most stuff not totally clean there's really only one spot on the whole of the cone where I can put the mic that avoids a lot of hum or extraneous noise. So I seem a bit limited by mic placement, except for using combos of mics at varying distances. Also been recording at bedroom volumes too. I think I read somewhere that huge amp volumes aren't necessarily a must. I dunno...I haven't recorded much electric guitar before. I'm happy with the tones...they sound like I want them to more or less.
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SteveStrummerUK
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Re:Guitar tone strategies
2011/10/20 10:14:43
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Hey there Matt, looks like you're back home then buddy?
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ChuckC
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Re:Guitar tone strategies
2011/10/20 23:55:03
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Hacker..... Yep layering is great when done right. I am working right now on recording 2 songs with/for my band, one of which I play guitar on & I layed down 3 takes with varying tone settings. each with a 57 up close and PG27 (shure condenser mic) about 2-3 feet back so I have 6 tracks and eq'd out it is sick! The other we switch around & I play drums... the other guys have one or 2 takes each and don' want to attempt laying multiple performances of the same parts... end result....? "Hey man, can't you get my guitar to sound more like yours on the other song?!?" NOPE!
ADK Built DAW, W7, Sonar Platinum, Studio One Pro,Yamaha HS8's & HS8S Presonus Studio/Live 24.4.2, A few decent mic pre's, lots of mics, 57's,58 betas, Sm7b, LD Condensors, Small condensors, Senn 421's, DI's, Sans Amp, A few guitar amps etc. Guitars : Gib. LP, Epi. Lp, Dillion Tele, Ibanez beater, Ibanez Ergodyne 4 String bass, Mapex Mars series 6 pc. studio kit, cymbals and other sh*t. http://www.everythingiam.net/ http://www.stormroomstudios.com Some of my productions: http://soundcloud.com/stormroomstudios
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montezuma
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Re:Guitar tone strategies
2011/10/20 23:59:46
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Hey Steve...yeah back home for a bit...then going back again. Nice to be back!
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Myuzishin
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Re:Guitar tone strategies
2011/10/21 02:50:24
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I'm gonna start by saying, this thread absolutely rocks. For a moment, I'll harken back to the original question long enough to say that I do agree that in the majority of instances the rhythm and lead tones need to be different. This is just good sonic strategy, IMHO. It gives flavor to a tune, makes mixing easier, and fills out the soundscape a tune with multiple guitars (in the style alluded to) typically requires and will thus benefit from. Simply put, methodologies for achieving said tones are almost as individual as the opinions posted in this thread. Having said that, there are in fact certain tactics to be logically employed that make getting from Point A to Point B more straightforward, much in the same way that it makes sense to, at some point, get on the 10 freeway to go from Jacksonville to Los Angeles. The difference mentioned above between the 2 worlds of EJ and Vai tone is significant ... since the desired tone is the destination, how to get there (or not get there) is completely relevant to the conversation. Here's where I stop sounding like I know what I'm talkin about. I will be the first to tell you (and Danny will be the 2nd) that I have struggled with tone for YEARS. Many moons and thousands of dollars later, things are better. My prowess has always been in songwriting and lead phrasing, rather than in tone generation and mixing. But I have learned a lot in my quest. Much of it has come from Danny, and while I don't ALWAYS take his advice (and have often paid the price for that lol), I ALWAYS listen to it. The man knows his shiz, and the fact he's willing to share it is a large part of why I chase him around the internet from forum to forum like some crazed internet groupie. So here is what I DO know. - If you wanna sound the same all the time, use the same tone. If it fits what you're seeking, tadaa. - If you want each tune to be different, approach it that way. Tone sculpting can be a (Choose: challenge; science; lot of fun; pain in the arse; joyful blessing; miserable frustration; catalyst to suicide) that, when acheived, can be quite satisfying. - Creating a tone you like has little to do with how it will work in your project. This is where mixing/EQ skills are required. - Almost more valuable than knowing how to achieve a desired tone is knowing how NOT to. In other words, take notes and learn from your mistakes. I'm one of those that believe each tune deserves its own voice, and these days I rarely use the exact same tone twice. So in thinking that way, the tone quest never ends. Myu
Obstacles are what you see when you take your eyes off the road MySoundClickPage
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Bristol_Jonesey
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Re:Guitar tone strategies
2011/10/21 05:18:38
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Good post. I was listening to one of my old tunes a while back, and in particular the rhythm guitars that drive it along. Nothing fancy, 2 similar tones coaxed out of my Pod, panned wide, EQ'd slightly differently. Listened to in isolation, they sound crap, the sort of sound you'd be ashamed of. In the context of the song, they fit perfectly, just providing a bed for the leads guitars & vox to sit on top of.
CbB, Platinum, 64 bit throughoutCustom built i7 3930, 32Gb RAM, 2 x 1Tb Internal HDD, 1 x 1TB system SSD (Win 7), 1 x 500Gb system SSD (Win 10), 2 x 1Tb External HDD's, Dual boot Win 7 & Win 10 64 Bit, Saffire Pro 26, ISA One, Adam P11A,
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