Helpful ReplyReply to to the shift in the forum thread

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P-Theory
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2015/05/18 15:31:43 (permalink)

Reply to to the shift in the forum thread

Apologies, I didn't get chance to read through all 5 pages of the responses but my two penneth is......
 
Sonar is a fantastic product and I love it to bits but we are in the minority trying to support it.  I work everyday in professional studio environoments and the only session files I am ever presented are:
 
1) Protools
2) Logic
3) Cubase
 
In fact I'd go so far as to say I have never ever been presented a Sonar CWB in my life (dont be picky about the file extension).  Simple fact is most people consider MAC's as the platform to do audio on and Protools is inherent in it's legacy. All singin all dancing Logic is $150 and for the few cross platform stragglers Cubase offers all you will need.
 
I love sonar I think its a fantastic product but I fully accept I'm trying to push water uphill with a rake in trying to convince the rest of the world this is the only platform that matters to professionals
#1
Doktor Avalanche
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Re: Reply to to the shift in the forum thread 2015/05/18 15:38:37 (permalink)
FYI it is traditional when you are replying to a thread, you reply on the thread rather than split it on a separate thread 
Although this seems to be an entirely different topic so nevermind!
#2
P-Theory
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Re: Reply to to the shift in the forum thread 2015/05/18 15:42:23 (permalink)
So shoot me, I'm sorry I didn't have time to read throguh 5 pages but got the gist after 2.

If I broke forum etiquette I apologise
#3
bapu
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Re: Reply to to the shift in the forum thread 2015/05/18 15:46:33 (permalink)
I ate a quette once.
 
Upset my stomach it did.
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Sanderxpander
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Re: Reply to to the shift in the forum thread 2015/05/18 15:55:40 (permalink)
I can completely corroborate the OP's experiences. It sucks but it's the reality. I'm even the only one in my professional environment who is using PC, although a few of my Mac enthused buddies are trying their first Hackintosh now which is maybe a half-win. Or a quarter win or something.
#5
BobF
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Re: Reply to to the shift in the forum thread 2015/05/18 16:04:30 (permalink)
Awesome!! Another thread about stuff we can't do anything about!! 
 
I heard quettes taste like chicken.  That true, Bapu?
 
Apologies to the OP.

Bob  --
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Beepster
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Re: Reply to to the shift in the forum thread 2015/05/18 16:14:37 (permalink) ☄ Helpfulby karhide 2015/05/20 00:02:43
This doesn't actually have anything to do with the original premise of that thread. Just the same discussion that's been ongoing about Sonar for... well ever since I've been here.
 
Yeah... they probably should figure out a way to port to Mac but as a PC user I'd rather they not and just keeping making things better for ME (I'm greedy like that... lol).
 
As far as "pro" impressions within the "established" studios... I care not a whit. I heard all that crap back in the day about Sonar and it did make me hesitant to invest but really the package was too abundant for me to pass up so I took a chance. There were some hairy moments but all in all it could not have worked out better.
 
When and if I end up dealing with studios who insist on other platforms... welp, they're getting exported tracks, stems and perhaps custom VST presets if they happen to use the stuff I do. That's how I prefer to work now anyway even with Sonar users. Unless I'm sending something to a guy like Danny to double check my settings for educational purposes or to Cakewalk for a problem report I see absolutely no need to send project files to anyone.
 
I certainly don't like wrangling with other people's bundled projects either if it can be avoided. I usually start a new project anyway and drag data into it to keep things stable and consistent with how I like things set up.
 
Much ado about nuffin' IMO.
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Skyline_UK
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Re: Reply to to the shift in the forum thread 2015/05/18 16:41:33 (permalink)
I'm a contrary sort, always have been.  I'm absolutely delighted that I'm not part of a crowd who buy hardware and software based on trendiness. It reinforces my love of the gear and DAW I use which both give me all the functionality I need.
  

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+ too many other plugins
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#8
John
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Re: Reply to to the shift in the forum thread 2015/05/18 17:09:26 (permalink)
I have to agree with Beep. Sonar is a great DAW. Far better then most think. I believe it can stand up against any other DAW and do very well indeed. In most cases it will run the other into the ground. 
 
I just bought Samplitude Pro X2. I had Samplitude Music Studio 2014 on my system. This gave me a head start in understanding the program.  I am happy with for what it is but Sonar is a much better DAW particularly with MIDI. Samplitude touts its object oriented editing and it does a nice job in this area but so does Sonar. CW doesn't tout objects in Sonar their term is events but its the same concept. We all know the ton of things that Sonar has so I wont compare these two.  Its a question of feel and quickness to get something done that I think matters most. In Sonar things seem simple even though they are not. In Samplitude nothing is hard but few things are as simple. 
 
I used and still have the dongle for Cubase SX1, 2 and 3. I didn't upgrade to Cubase 4 because I found I wasn't using it much. I preferred Sonar even though I had the choice. I consider Cubase an equal to Sonar on the Windows platform. Not better but different in just enough ways to make each appeal to different users. Cubase to me is fiddly. You have to set things up all the time.   
 
Where do we stand now? It couldn't be better for the end user. We have really good DAWs to choose from that emphasize one or more aspects to appeal to a broad user base. As a general DAW I give Sonar the top seat.  
 
Notice Pro Tools is not mentioned by me. I have no real experience with it. I'm sure it will do the job as well as any other. All I know about it sort of persuades me it is not my cup of tea.       

Best
John
#9
Doktor Avalanche
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Re: Reply to to the shift in the forum thread 2015/05/18 17:25:58 (permalink)
P-Theory
So shoot me, I'm sorry I didn't have time to read throguh 5 pages but got the gist after 2.

 
Must remember this technique next time I fill in my tax return.... 
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Sanderxpander
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Re: Reply to to the shift in the forum thread 2015/05/18 17:54:13 (permalink)
I suppose it's kinda useless to complain. I still like Sonar and I'm not about to switch. But honestly that probably has more to do with Mac/Windows than anything else. If I were already on Mac I'd be hard pressed not to use Logic for the price and the fact that everyone around me is using it.
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slartabartfast
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Re: Reply to to the shift in the forum thread 2015/05/18 17:55:07 (permalink)
Beepster
Yeah... they probably should figure out a way to port to Mac but as a PC user I'd rather they not and just keeping making things better for ME (I'm greedy like that... lol).
 
 



Porting to a Mac would not make Sonar a more likely choice for professional users concerned about compatibility with other pro's. ProTools is Mac or PC now, but I expect there would not be a lot of dedicated PT users who would leap to Cakewalk if they could run it natively on a Mac. There are probably not zillions of people running Sonar under Bootcamp, even though performance should be pretty much the same as on an equivalent "PC.'' When Apple ported their machine to Intel, Windows did not become the OS of choice for the Mac, even though there are reports that Windows on a MacBook Pro runs better than OSX. There is absolutely nothing about Apple machines that makes them inherently more suitable to audio work than a well built computer from any other source. People who are paying for over-priced computers from Apple are unlikely to think much about how much money they would save by buying Sonar instead of one of the already OSX-ready alternatives. And any savings in price would be offset by the problems entailed by trying to get projects from one DAW into an essentially incompatible competitor. So long as the industry leaders are converging on a de facto standard DAW, it will not be displaced by a simple port of a less popular (at least among pro's) DAW to a more popular OS.
post edited by slartabartfast - 2015/05/18 18:01:48
#12
Anderton
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Re: Reply to to the shift in the forum thread 2015/05/18 18:24:34 (permalink)
P-Theory
I work everyday in professional studio environments...



But your experience also explains why SONAR is successful without having to be a part of the "studio establishment." There's a common myth that the pro studio is dying, but John Storyk will you differently to say the least...he's never been busier. What is dying is the collection of large, Pro Tools-based studios that are the descendants of the 2" 24-track tape machines of yore. However more people, including professionals with multiple platinum records, are working in "closed" environments when they are creating their own studios (hence needing designers like Storyk), and can use pretty much whatever software they want. Of course that doesn't mean they're all going to use SONAR, but it also means they're no longer bound by ironclad project compatibility issues. Being able to exchange audio files is usually good enough. 
 
Where SONAR is making its greatest gains is with people who are involved in, for lack of a better term, "music creation"--songwriters, people who create music beds for videos, narration, demos, etc. The songwriter contingent is a significant part of SONAR's demographic, and in general, they choose SONAR because they like the workflow. Another reason is if they're starting out, having a relatively complete selection of plug-ins minimizes the expense of getting "off the ground."
 
As these people progress, they'll likely stay with SONAR for the same reason people starting with Pro Tools stay with Pro Tools. Also, I have seen anecdotal evidence of people who have pretty much had it with the Mac. The new machine is lovely, but expensive...they can get better value with Windows so they buy a machine just to run music software, which of course is the optimum environment for running Windows audio or video software. So they hold their nose, buy a PC, keep their Mac laptops, and find out Windows not only isn't so bad, it has a few cool tricks up its sleeve.
 
SONAR is doing fine. It could always do better - until every man, woman, and child on earth has a copy (and we discover life on other planets, there too), Cakewalk cannot rest . But fortunately, there are plenty of people making music outside of big studios, a lot of them choose programs other than Pro Tools, and SONAR does well with that demographic.

The first 3 books in "The Musician's Guide to Home Recording" series are available from Hal Leonard and http://www.reverb.com. Listen to my music on http://www.YouTube.com/thecraiganderton, and visit http://www.craiganderton.com. Thanks!
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Larry Jones
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Re: Reply to to the shift in the forum thread 2015/05/18 19:20:18 (permalink)
Anderton
However more people, including professionals with multiple platinum records, are working in "closed" environments when they are creating their own studios (hence needing designers like Storyk), and can use pretty much whatever software they want.


This is a great point. I don't need to know I am using the same cool software as someone else. I just need something that works for me, in my "closed" environment. Computer based DAWs are reducing our need for big commercial studios. In the end, the quality of my home recordings is technically indistinguishable from that of recordings coming from studios using Pro Tools or any other DAW. And when I record outside my home (because I can't do a live band in my place), the tracks I make somewhere else on some other DAW are perfectly importable to Sonar back at the house. Sonar is not inferior to other DAWs, and I don't have an inferiority complex because it's the one I choose to use.

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Doktor Avalanche
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Re: Reply to to the shift in the forum thread 2015/05/18 19:26:05 (permalink)
Only reasons to use professional recording studios from my perspective...
 
1) Rooms sound - drum kits etc.
2) A treated room when mixing - this is a big deal. Sadly I often have to do without it down to budget limitations.
3) It can often make a band more productive, purely psychological. They think they've made it if they see lots of bright flashy lights.
4) It can also make a band more productive when they realise how much money is being spent (assuming it's their money), or if there's a deadline to get something done (assuming they care, the ones that don't often spend most of their time rolling up the next spliff).
5) If they nick gear... hopefully it won't be yours....
#15
mettelus
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Re: Reply to to the shift in the forum thread 2015/05/18 20:25:14 (permalink)
I have only used SONAR, so I am proof that ignorance is bliss

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#16
tlw
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Re: Reply to to the shift in the forum thread 2015/05/18 20:28:19 (permalink)
slartabartfast
There is absolutely nothing about Apple machines that makes them inherently more suitable to audio work than a well built computer from any other source. People who are paying for over-priced computers from Apple are unlikely to think much about how much money they would save by buying Sonar instead of one of the already OSX-ready alternatives.


I've found myself having to get into using Logic over the last few months. Nothing to do with being unhappy with Sonar, entirely due to working with people who are heavily commited to Logic.

Anyway, I bought a new (well, refurbished by Apple) Macbook Pro three weeks ago. To get it set up to handle audio with a stable round trip latency of around 6ms I had to do.... Nothing. No digging into the BIOS to switch off various cpu power saving and speed stepping modes, no registry editing to switch of cpu parking, no killing of loads of services and background processes. Nothing. Just load the RME and MOTU drivers, update the UFX firmware and let core audio and core MIDI handle the rest. Wifi, that killer of real-time performance on a PC, no problem at all on the Macbook.

OK, there was one thing. I had to stop Time Machine backing up everything every hour.

And the Macbook, though being a quadcore i7, is much less powerful than the PC in my sig. Cost a lot more of course, and Apple do have their own peculiarities like no TRIM support for non-Apple branded SSDs, but many of the problems DAW beginners have with Windows PC DAWs simply aren't there with Macs.

As for saving money on the DAW software by buying Sonar rather than an OS X DAW, Sonar Platinum costs considerably more for a first-time buyer than Logic Pro X. Apple have the advantage of being able to use their software as a low-priced incentive to buy their hardware, then Apple make their money out of selling that hardware. The combination works together and if one half of it generates little or no income that doesn't matter so long as the other compensates.

Splat gives you more plugins of course and more soft-synths. Equally, Logic has its' own set of oddities and Sonar, in my opinion, wins out in some regards, while Logic compensates with some nice touches I'd welcome in Sonar.

All the modern DAWs that have been around a while are very capable and all have their odd behaviours and bugs as well. Ironically it's the "industry standard" one that's often been playing technological catch-up with the rest while Sonar, or Cubase, or Logic, or Live have often been out in front as far as the technology is concerned. Pro Tools HD's unique approach of being able to assure studios that the equipment all works together and even if the computer crashes the client's work is still safe counts for a great deal at the sales-face, but you don't half pay for it.

Which is where Craig's point about songwriters amd music creators comes in. The musician/writer/engineer/producer who either doesn't need big studio facilities or can't afford them has been the growth sector in recording for over 20 years now.

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Doktor Avalanche
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Re: Reply to to the shift in the forum thread 2015/05/18 20:44:53 (permalink)
tlw
As for saving money on the DAW software by buying Sonar rather than an OS X DAW, Sonar Platinum costs considerably more for a first-time buyer than Logic Pro X. Apple have the advantage of being able to use their software as a low-priced incentive to buy their hardware, then Apple make their money out of selling that hardware. The combination works together and if one half of it generates little or no income that doesn't matter so long as the other compensates.



Yup Apple makes a lot of money on their hardware and charges a premium, that's why as soon as they get the opportunity they will release another hardware platform making the current software (or plugged in hardware such as UAD cards) impossible to run on it. You then end up stuck in the middle ages until you update your hardware. I've seen this happen over and over again it's enough to make you want to update to Linux 
 
That does not happen so often with PC's... however with Windows 10 for free ones wonders if MS is starting to follow this strategy themselves (doing a deal with hardware manufacturers).
post edited by Doktor Avalanche - 2015/05/18 20:51:02
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Larry Jones
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Re: Reply to to the shift in the forum thread 2015/05/18 20:55:28 (permalink) ☄ Helpfulby karhide 2015/05/20 00:08:48
tlw
To get it set up to handle audio with a stable round trip latency of around 6ms I had to do.... Nothing.

Purely anecdotal. Here's my anecdote: I bought a new PC, plugged it in, installed Sonar, and everything has been beautiful for three years now. Of course, this was a machine that I had specced just for audio/video recording/editing/mixing. Maybe people are having problems with their PC-based DAWs because they are buying off-the-shelf HP machines with inadequate CPUs and 50 gigs of crapware running in the background. Of course you have no such choices when you buy an Apple computer, but then you pay top dollar. This is fine for well-funded commercial operations and rich people, but in the real world there are many talented folks who can't get on the Apple/Pro Tools train. In any case I wouldn't jump to the conclusion that Apple computers are superior, although I do envy your experience.

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Doktor Avalanche
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Re: Reply to to the shift in the forum thread 2015/05/18 21:02:02 (permalink)
No issues with off the shelf Dell machine now 4 years old. I tend to wipe the machine and reinstall windows when I get it. And yes I've done quite a bit of optimization.
post edited by Doktor Avalanche - 2015/05/18 21:08:41
#20
Larry Jones
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Re: Reply to to the shift in the forum thread 2015/05/18 21:37:12 (permalink)
Doktor Avalanche
No issues with off the shelf Dell machine now 4 years old. I tend to wipe the machine and reinstall windows when I get it.

I usually build the PC myself. Last time around I had somebody build it for me, but in all cases I buy Windows and install it myself. Dell is not innocent when it comes to adding a bunch of softjunk, but looks like you have defeated them.

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#21
tenfoot
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Re: Reply to to the shift in the forum thread 2015/05/18 21:50:54 (permalink)
Like many here I have run both PC's and Macs in the studio. I for one am thrilled that Sonar has stayed with a single platform. It could well be the reason it is so far ahead of other PC offerings. I would also argue that most musicians I know who do run Windows platform choose Sonar as their DAW. I imagine the folks at Cakewalk are probably quite happy with their placement in the market.

Bruce.
 
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Kamikaze
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Re: Reply to to the shift in the forum thread 2015/05/18 22:05:54 (permalink)
Here we go again! Why does every thread get taken over by those with an agenda to talk about the main DAWs in us an whether SONAR would be better on a MAC. Stay on topic guys.

 
#23
Doktor Avalanche
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Re: Reply to to the shift in the forum thread 2015/05/18 22:11:53 (permalink)
Hmmm isn't that what the OP was discussing? Maybe I've lost the ability to read it is getting late..
#24
Kamikaze
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Re: Reply to to the shift in the forum thread 2015/05/18 22:19:30 (permalink)
No looks like just waking up has affected my ability to read. I thought this was the end of the other thread, not the beginning of a new one. Similar titles threw me.

 
#25
Kamikaze
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Re: Reply to to the shift in the forum thread 2015/05/18 22:19:39 (permalink)
dp. Believe it or noot, I dp every time someone uses the hotel lift (elevator)

 
#26
mixmkr
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Re: Reply to to the shift in the forum thread 2015/05/18 22:31:08 (permalink)
Doktor Avalanche
Only reasons to use professional recording studios from my perspective...
 
1) Rooms sound - drum kits etc.
2) A treated room when mixing - this is a big deal. Sadly I often have to do without it down to budget limitations.
3) It can often make a band more productive, purely psychological. They think they've made it if they see lots of bright flashy lights.
4) It can also make a band more productive when they realise how much money is being spent (assuming it's their money), or if there's a deadline to get something done (assuming they care, the ones that don't often spend most of their time rolling up the next spliff).
5) If they nick gear... hopefully it won't be yours....


I respect your perspective...but I think you overlooked the top reason...  in that it's the engineers, staff, and people that work in those professional studios. People supporting themselves with their craft, choose to use these studios, because they also typically haven proven track records and with agendas that aren't just "experimenting and fishing around" but get to the point, in a timely, professional fashion.  Yeah... rooms sounds are nice, but that's really just part of the creative, professional approach.  Although it's played a part in some big hits ("When the Levee Breaks"??? :-)... ), typically that wasn't the main reason for success.  Any rate, tell Phil Collins about "room sounds" on drums ! ;-D

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#27
lfm
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Re: Reply to to the shift in the forum thread 2015/05/18 22:34:44 (permalink)
Ten years ago buying Sonar 4, everything audio related I bought had some kind of feedback to vendor - which daw you use. Everything but Sonar used to be there as a checkbox. This is more an exception nowadays.
 
Being owned those years by Roland helped a lot, I think.
 
I heard a story on a podcast about ProTools vs Cubase in studios. Panel meant that Steinberg have had their tries to enter sending some tech guys over to main studio venues and try to sell Cubase basically as main daw. But they failed due to not being compatible enough with hardware on site - controllers etc. Something like that - but Steinberg tried and failed - is what they meant in this podcast.
 
When entering a new realm we tend to be insecure - and marketing use that as much as they possibly can.
- What do the pro's use?
- What are used in studios?
Those are selling points - but not for Sonar so much.
 
So how to proceed marketing Sonar - Cakewalk, just be professional about it.
I followed Avid DUC forum since last fall - since this new debackle with new policy etc - PT being the only main daw I haven't had hands on.
 
But all this crap about PT12 that's been going around - now make even PT users post threads like this one. Even PT users are feeling insecure these day and the need to be excused for using it. There was this guy, Moderator even on forum - that posted this thread about how much he loved PT12 and how well it went recording this 30 piece orchestra etc.
 
Why did he feel to post that to begin with?
It doesn't take much for us to be insecure.
 
Cakewalk has been forerunner in some fields, and still is top dog in many areas as I see it. x64 was early adopted, 64-bit engine was early adopted, in my view they crushed competition in how freeze is implemented(still to be in ProTools by the way). PC in X-series was also new thinking as I recall, more to resemble physical consoles kind of, and changed format for that.
 
I swapped daws like crazy the last five years to find the best solution for my music project.
I thought, a daw that cost so much more - it must be better on something, or better maintenance, support or similar. But found there is no correlation on price and these factors - when diving in the big money ponds.
 
What Cakewalk did so far with new policy really convinced me they mean business.
I feel they want more, and listen more - and deliver too.
 
Avid is trying to dictate terms and condition for their userbase - future will tell how that goes. Q1 2015 already show numbers in the red, and result down by $8 million same period last year. And Q2 and Q3 report this year will tell what future might be - if successful approach or outrageuous, which I feel it is.
 
I use Cakewalk Sonar - because I'm worth it.......my bank account too....
But please Cakewalk, change the music on Rapture Pro trailer, the worst crap I ever heard - made me puke, almost, that off pitch portamento kind sound, more than music. Even if it's not my genre, it got to be likeable and not repulsive. I know there are much cooler sounds in there to show off - in my DP even.
 
#28
tenfoot
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Re: Reply to to the shift in the forum thread 2015/05/18 22:54:24 (permalink)
Kamikaze
Here we go again! Why does every thread get taken over by those with an agenda to talk about the main DAWs in us an whether SONAR would be better on a MAC. Stay on topic guys.


As annoying as it may be that is the topic:)

Bruce.
 
Sonar Platinum 2017-09, Studio One 3.5.3, Win 10 x64, Quad core i7, RME Fireface, Behringer X32 Producer, Behringer X32 Rack, Presonus Faderport, Lemure Software Controller (Android), Enttec DMXIS VST lighting controller, Xtempo POK.
#29
Doktor Avalanche
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Re: Reply to to the shift in the forum thread 2015/05/18 22:55:07 (permalink)
Opps... Somebody insulted EDM music.... ! Prepare yourselves! It could get messy...
#30
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