mmorgan
Max Output Level: -77 dBFS
- Total Posts : 676
- Joined: 2013/02/19 23:39:05
- Location: Bellingham, WA
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 10:19:00
(permalink)
As someone mentioned previously the model that MS uses for it's MSDN development tools can be subscription based which is what I have at my 'day gig'. It also doesn't require that I load up the latest version of the primary tool; if I'm happy with VS2010 I don't have to do an upgrade. They also provide me with the opportunity to preview a new version (forget what they call it something like "Public Preview") before the product gets RTM. This is all fine and good but I don't have to pay for any of this, my employer does so that yearly fee doesn't bother me. On the other hand, MS also provides a 'standalone' licence purchase. Pay the fee and install the product. I purchase this for the work I do seperate from my employer. This works for me because I can analyse what the new product offers before spending any money. Of course the subscription I have at work helps me analyse what I want. The thing about my relationship with MS is I honestly feel I have one. The preview editions allow me to test them out and provide input back to the company on an ongoing basis. As the name MSDN (MS Developers Network) implies it is a network of products and support forums that MS supports with not only their own personnel but contributors who can join the ranks MVPs that also support the network of users. I'm uncertain if Cakewalk could provide that level of product, support and interaction based on their current fee structure nor am I convinced that a subscription model would necessarily help the issue. A subscription model does assist a company when they're forecasting revenue against resources though and that might be a good thing. To sum up, I don't think this is a zero sum game. If Cakewalk could provide both subscription and single purchase models I think it could help everyone. In the end I think all of us want Cakewalk a profitable company...but we don't want to end up in poor house either. Regards,
Mike Win8(64), Sonar X3e(64) w/ RME Fireface UFX.
|
Beepster
Max Output Level: 0 dBFS
- Total Posts : 18001
- Joined: 2012/05/11 19:11:24
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 11:05:54
(permalink)
Heh. I never considered the support end of things. Imagine having to deal with Cake email support if you had a problem renewing. Considering the wait times that would be catastrophic to any pro studio and severely annoying for pretty much anyone. It's just a really bad idea with likely very little benefit to either side of the relationship. The software really isn't that expensive anyway especially if you go for some of the lower level packages. With Adobe stuff it makes a little more sense considering that stuff can cost thousands and some people only need it occasionally for short periods. When you can get a Cake package that does pretty much most crucial functions for a couple hundred bucks there really isn't much need. With a credit card or financing from a music store you could easily set it up so you're only paying $20 or so a month anyway without maxing out your limit or incurring insane interest charges. For adobe their pro software is easily above many people's credit limits.
|
spacey
Max Output Level: 0 dBFS
- Total Posts : 8769
- Joined: 2004/05/03 18:53:44
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 11:40:23
(permalink)
Anderton If it's driven by marketing to maintain a constant cash flow, that's different than if it's driven by a software company to create happier users by getting updates into their hands sooner, and without them having to lay out a big bunch of cash all at once.
I bought what I have and don't own it anyway so I guess if I have to pay them a little every month so I don't have to wait a year for them to fix their stuff...sheesh...well something needs to change, no doubt about that.
|
WallyG
Max Output Level: -74 dBFS
- Total Posts : 833
- Joined: 2013/05/03 11:37:52
- Location: Arizona
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 11:53:31
(permalink)
I've been using Adobe Creative Suite for years, mainly Photoshop, Illustrator, Fireworks, and Dreamweaver for WEB development and general photo editing. I have CS5 and because of the Adobe's new Business Model, I will no longer be purchasing any upgrades. What I have works and I see no reason to rent the software. If they have a captured audience, what is the incentive for them to come up with fantastic new features. They already have your business... Walt
Roland Jupiter 80, Roland D50, Roland Integra 7, Roland BK-7m, Yamaha Montage 6, ARP Odyssey, Excelsior Continental Artist, Roland FR-8X, 1967 Fender Jaguar, Fender Strat, Fender 1965 Twin Reverb reissue, Selmer Trumpet, Akai EWI, Studio One 4 Professional, Melodyne Studio 4, Behringer X-Touch, RME Fireface UCX, MOTU MIDI Express XT - ADK Pro Audio Hex Xtreme 6 Core i7 4.5GHz, 64GB, 480GB SS, 3 X 3TB Hard Drives, Win 10, 2 X 27" & 1X 46" Monitors, My WEB site - www.gontowski.com/music
|
SteveStrummerUK
Max Output Level: 0 dBFS
- Total Posts : 31112
- Joined: 2006/10/28 10:53:48
- Location: Worcester, England.
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 12:11:17
(permalink)
Glyn Barnes I must admit to being tempted by the Adobe subscription services. I use Lightroom but it would be nice to have access to Photoshop as well without a big up front payment, The other side of me says I wnat to own not rent. My jury is still very much out.
Hi Glyn I find myself in much the same situation as you. I absolutely love Lightroom 5 - the new and improved Lens Correction module was worth the price alone for me. I use it almost exclusively for developing my RAW files now. For further image manipulation, and although I'm extremely tempted to pull the trigger, I can't really justify the cost of the full version of Photoshop, so my compromise has been to go with Photoshop Elements. I just upgraded to version 11, which has the latest version (albeit a slightly stripped-down version) of Adobe Camera RAW. PSE 11 also has the quite excellent new and improved Refine Edge feature, which again for me, was worth the price of admission on its own. So for me, having Elements and Lightroom, plus the superb Canon Digital Photo Profession RAW editor that came with my EOS, I have 99% of my needs covered. I just thought I'd mention it to you, as in my honest opinion, Elements is an incredibly powerful tool for the money.
|
SuperG
Max Output Level: -63 dBFS
- Total Posts : 1371
- Joined: 2012/10/19 16:09:18
- Location: Edgewood, NM
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 12:21:23
(permalink)
I think that the subscription model will end up a money-pit for consumers. For one, it's extremely difficult to accurately evaluate subscription pricing and value vs the price, value, and usage of an outright purchase. There's also the economic value of permanency - I can access old project material using an old version as long I have a computer/OS that will run the application. For short, one-off projects with a product you will likely not return too, a short lease would be good, if the rates are good. Assuming short term (i.e. one month) leases are available. There is value in always having the latest version of a product as soon as it is released, i.e., simplified licensing, latest features, etc. However, there is risk too, and if one has to revert to an older version to work-around an incompatibility introduced in a newer version, the lease becomes less valuable. The key here is value. How do we determine the economic value of a lease (given lease rate options) vs buy?
|
bitflipper
01100010 01101001 01110100 01100110 01101100 01101
- Total Posts : 26036
- Joined: 2006/09/17 11:23:23
- Location: Everett, WA USA
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 13:12:29
(permalink)
The subscription model was dreamed up by some marketing wonks as a way to assure an annuity income that will make stockholders happy and support share prices through more reliable revenue forecasts. It certainly wasn't a response to any user demands. Some people do accept it, but I've never heard anyone say they'd prefer it over a one-time purchase and optional paid upgrades. I would never buy a software subscription, even though as a software vendor I actually offer them myself. The subscription model is a good fit for software that requires frequent updates and intensive customer support/training. My own company works this way. We don't call it a subscription, we call it a maintenance contract. It's entirely voluntary and the software won't stop working if you don't buy a contract. But we will charge you an hourly rate if you need help, upgrades will cost extra, and technical services are pay-as-you-go. 95% of my customers buy a maintenance contract. No coercion needed. Ours is a big, deep application. We service an industry with high turnover rates, so we're continually gaining new inexperienced users who have how-to questions. Most of our users are non-technical. Many sites have no IT staff, nor database or network administrators. Most sites require extensive report customization. All this means that the software itself is only part of the product, the rest is a substantial service component, which rightfully deserves ongoing payment. But even though I sell subscriptions I cannot imagine such a model being applied to music software. The most complex application you have is your DAW. But you don't expect Cakewalk to come to your studio and set it up for you and teach you how to use it. You wouldn't expect them to customize it for you, provide 24-hour emergency bug fixes, manually repair a broken project file for you or calibrate your subwoofer. The question is: would you pay for that service, knowing that it would be very expensive? And would you stay with that vendor if such payment was mandatory? I have a real problem with mandatory subscriptions or heavy-handed coercion. When my Waves plugins stopped working (claiming I had no license) I wanted to ask the company why their products were failing. If the wheels had fallen off my new car, I'd be entitled to an explanation from the manufacturer. But I could neither call nor even email Waves, because I hadn't bought the WUP.
 All else is in doubt, so this is the truth I cling to. My Stuff
|
Mystic38
Max Output Level: -59 dBFS
- Total Posts : 1622
- Joined: 2010/08/30 17:40:34
- Location: Mystic, CT
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 13:35:08
(permalink)
Steve & Glyn, have you tried Lightroom + paint shop pro?.. Since I adopted LR I found that 90-95% of my work is within that environment, and so for the nasty lil bits that you just have to sort out I can launch PSP from within LR, make the detail edits, and return to LR.. edit history is maintained correctly in LR so its a homogeneous solution to me... and bang/$ is off the charts..don't let the cost fool you into thinking its not much of a program. Ian SteveStrummerUK
Glyn Barnes I must admit to being tempted by the Adobe subscription services. I use Lightroom but it would be nice to have access to Photoshop as well without a big up front payment, The other side of me says I wnat to own not rent. My jury is still very much out.
Hi Glyn I find myself in much the same situation as you. I absolutely love Lightroom 5 - the new and improved Lens Correction module was worth the price alone for me. I use it almost exclusively for developing my RAW files now.
HPE-580T with i7-950, 8G, 1.5T, ATI6850, Win7/64, Motu 828 III Hybrid, Motu Midi Express, Sonar Platinum, Komplete 9, Ableton Live 9 & Push 2, Melodyne Editor and other stuff, KRK VXT8 Monitors Virus Ti2 Polar, Fantom G6, Yamaha S70XS, Novation Nova, Novation Nova II, Korg MS2000, Waldorf Micro Q, NI Maschine Studio, TC-VoiceLive Rack, 2012 Gibson Les Paul Standard, 2001 Gibson Les Paul DC, 1999 Fender Am Hardtail Strat, Fender Blues Jr, Orange TH30/PPC212, Tak EF360GF, one mic, no talent.
|
drewfx1
Max Output Level: -9.5 dBFS
- Total Posts : 6585
- Joined: 2008/08/04 16:19:11
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 13:55:53
(permalink)
Though I can see some advantage, I don't like the idea. Like many here, I have a number of different music SW products and I don't upgrade every one every year, and I don't want to be penalized significantly for skipping one or more releases. And even if I do upgrade almost every year, I want the ability to decide when, based on the availability of funds or time or whatever. But the upside to a subscription model I see is not more frequent updates, but a different focus: if Cakewalk (or whoever) is not tied into adding new bells and whistles to attract upgraders, perhaps they can focus on improved core functionality instead. Though some would argue they can/should do this now, the reality is many people would not pay to upgrade for essentially bug fixes and some incremental changes (based on a longer term vision of where the SW is going). Instead most people will (understandably) whine that they should get those things for free, ignoring the business reality that the programmers rolling out those fixes have to get paid somehow. The subscription model, if implemented as a resource allocation tool rather than a profit tool (he said naively and optimistically  ) addresses this. But if it works, it's only because it's essentially the same as saying, "I'm going to continually pay for what I essentially already have and what I might get sometime in the future". But in the real world, there's more incentive to both fix and improve things if they have to entice us to part with our money with a new version every year.
 In order, then, to discover the limit of deepest tones, it is necessary not only to produce very violent agitations in the air but to give these the form of simple pendular vibrations. - Hermann von Helmholtz, predicting the role of the electric bassist in 1877.
|
dmbaer
Max Output Level: -49.5 dBFS
- Total Posts : 2585
- Joined: 2008/08/04 20:10:22
- Location: Concord CA
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 14:16:12
(permalink)
MakeShift I don't like the idea of leasing software. I fear that it will kill development and competition. With a once a year upgrade, I am basically paying for a subscription, but can stop upgrading if I choose, without my software stopping operation.
I don't think it would necessarily kill competition at all. In fact it could have just the opposite effect. Right now with for SONAR, for example, it costs you ~$400 to get started and ~$100 a year to stay current. With a subscription, you might just get charged $150 annually. If your first year isn't a happy experience, you choose to spend your money elsewhere. The vendors will have to keep their product and support at a high level to retain your business for newer customers who haven't invested what they would have had an outright purchase been involved. I'm not as opposed to the notion as much as most folks here, but only as long as we're talking about "mother ship" applications like a DAW. If I had to juggle subscriptions for every odd VST synth and effect I've got, it would not be a pleasant experience ... and I'd have a lot fewer plug-ins as a result ... hey, maybe I just talked myself into it for plug-ins as well!
|
SteveStrummerUK
Max Output Level: 0 dBFS
- Total Posts : 31112
- Joined: 2006/10/28 10:53:48
- Location: Worcester, England.
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 14:34:31
(permalink)
Mystic38 Steve & Glyn, have you tried Lightroom + paint shop pro?.. Since I adopted LR I found that 90-95% of my work is within that environment, and so for the nasty lil bits that you just have to sort out I can launch PSP from within LR, make the detail edits, and return to LR.. edit history is maintained correctly in LR so its a homogeneous solution to me... and bang/$ is off the charts..don't let the cost fool you into thinking its not much of a program. Ian
Hi Ian, thanks for the great info. I haven't tried Paint Shop Pro, it's interesting to learn how well it integrates with LR though. I'll give the Trial version a go on the basis of your recommendation! Do you know if it contains a Corel equivalent (or similar) to Photoshop's Refine Edge feature? As I mentioned before, LR's wonderful Lens Correction module (which I find indispensable as I photograph a lot of architecture) and PSE's Refine Edge are two features I use a lot. I'm currently shooting and creating the final images for a charity calendar, which involves using photos of peoples' heads and shoulders and using them in various mocked-up 'humorous' settings. Being able to isolate the heads accurately from the background, especially around their hair, has been a breeze with Refine Edge. ================ Edit to add: @ Ian - I just pulled the trigger on Paintshop Pro X5 Ultimate - the included Nik Color Efex Pro 3.0 photographic filters pack sold it to me before I even downloaded the trial LOL It was only £50 on Amazon for a boxed copy, can't complain at that for excellent value. Thanks again for the heads-up @ Craig - Sorry for the derailment of your (very interesting) thread ================
post edited by SteveStrummerUK - 2013/07/23 14:56:20
|
WallyG
Max Output Level: -74 dBFS
- Total Posts : 833
- Joined: 2013/05/03 11:37:52
- Location: Arizona
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 15:13:09
(permalink)
bitflipper ... The subscription model is a good fit for software that requires frequent updates and intensive customer support/training. My own company works this way. We don't call it a subscription, we call it a maintenance contract. It's entirely voluntary and the software won't stop working if you don't buy a contract. But we will charge you an hourly rate if you need help, upgrades will cost extra, and technical services are pay-as-you-go. 95% of my customers buy a maintenance contract. No coercion needed. ...
That is very reasonable. I have an electronic consulting company and have some software that I use all the time where I do have a maintenance contract. The semiconductor company I used to work for set me up with a workstation (in my house) and circuit analysis software that was (at the time) $15,000/yr. I'm sure other people have seen similiar situations. Needless to say, I don't use that software for my company... Walt
Roland Jupiter 80, Roland D50, Roland Integra 7, Roland BK-7m, Yamaha Montage 6, ARP Odyssey, Excelsior Continental Artist, Roland FR-8X, 1967 Fender Jaguar, Fender Strat, Fender 1965 Twin Reverb reissue, Selmer Trumpet, Akai EWI, Studio One 4 Professional, Melodyne Studio 4, Behringer X-Touch, RME Fireface UCX, MOTU MIDI Express XT - ADK Pro Audio Hex Xtreme 6 Core i7 4.5GHz, 64GB, 480GB SS, 3 X 3TB Hard Drives, Win 10, 2 X 27" & 1X 46" Monitors, My WEB site - www.gontowski.com/music
|
BretB
Max Output Level: -80 dBFS
- Total Posts : 508
- Joined: 2010/01/17 18:24:00
- Location: Oklahoma
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 15:21:47
(permalink)
I use software from 4 business models. Freeware (with pop-up ads), Purchased and owned (Sonar, Audition, Word, Excel, etc.), Purchased but not supported without a yearly paid service plan, and Subscription (Adobe Muse). My least favorite is the freeware. My subscription software is updated very regularly and includes new features and bug fixes as they are developed. We all know the experience with the Cakewalk model where you pay and may or may not get regular updates. On my software that offers the service plan, they never release bug fixes after a release (we have never needed one as it is very stable) but a service agreement is required if you need technical support. I guess I would be OK with a subscription if Cake stayed on top of the updates as they are developed AND MY SOFTWARE WOULD CONTINUE TO WORK beyond my contract period if I discontinued.
Sonar Platinum - A&H ZED R16 - KRK VXT4's - Yamaha DTXpress IV & Gretsch Catalina Maple kits "Music is what feelings sound like" https://soundcloud.com/bret575b
|
bitman
Max Output Level: -34 dBFS
- Total Posts : 4105
- Joined: 2003/11/06 14:11:54
- Location: Keystone Colorado
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 15:33:37
(permalink)
|
John
Forum Host
- Total Posts : 30467
- Joined: 2003/11/06 11:53:17
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 16:08:59
(permalink)
bitman No, No & no no no!
Yes.
|
cityrat
Max Output Level: -77 dBFS
- Total Posts : 671
- Joined: 2004/01/08 11:57:56
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 16:21:13
(permalink)
No. No. Never. I know companies WANT to do this to guarantee the income stream. I know they would try to sell it as 'service' etc. I understand some of the benefits. But no. It's not what I want to be tied into a company etc. I hate playing the 'update every so often' anyway. Maybe I'm a control freak, or maybe I think it's a suckers play. I'm actually leaning the OTHER way: at some time, I may just pull the 'internet plug' on my 'productive' setup and treat it like a piece of studio 'hardware'. Stop all the computer futzing around and just make music.
|
Featherlight
Max Output Level: -82 dBFS
- Total Posts : 429
- Joined: 2004/03/15 20:53:25
- Location: The Great Northwest
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 16:38:22
(permalink)
I believe that this is a trend we will see more and more of...not actually owning anything anymore. The more we are tied to subscription services and online installers under the guise of 'security and convenience', the more removed we are from having any real control over the products we supposedly own. This is one of the highest profit area for all retailers of any kind. Consider the 'extended warranty' concept. For the very few who actually get to take advantage of it before the warranty period expires ( which is very carefully thought out by the retailer ) its a bargain...for most everyone else, its a last minute up sell that seldom gets redeemed. ( Car under carriage coating anyone?? ) Most really bad concepts start out this way with what seem to be perfectly sensible reasons..until the hangover comes. Think of all the best purchases you have ever made in your studio, the ones that really last and that you depend on. I'll be willing to bet the ones you still use or still have value will be hardware... ...because, old or new, you in fact 'own it' out right...weather your internet connection is working or not.
http://www.featherlightstudio.com/studio Computer: Intel i7 Quad, Intel P7P55D mobo, 16gig Corsair, Nvidia 8600gs Fanless OS: Windows 7 Professional 64 bit ----------------------------------------------------- Computer: Mac Mini i7 Quad Core Server, Intel mobo, 16 gig DDR3, 2-USB3 Audio Drvs, Mavericks ----------------------------------------------------- Audio Interface: Mackie 1640i Firewire Mixer on a 1394 400 TI Chip Peripherals: 3 UAD-1 PCie, Ilok 2, MIDI'd Yamaha Motif xs,
|
SteveStrummerUK
Max Output Level: 0 dBFS
- Total Posts : 31112
- Joined: 2006/10/28 10:53:48
- Location: Worcester, England.
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 17:02:44
(permalink)
Featherlight I believe that this is a trend we will see more and more of...not actually owning anything anymore.
In one respect, we're already half way there with SONAR - the EULA makes it quite clear that we don't actually own the software, we merely purchase a licence to use it. And this business model is the main reason why we cannot sell the software on, or more accurately, transfer the licence. Although not strictly relevant to this thread, I believe allowing this option, even if it involves Cakewalk charging a (small) fee for the licence transfer, would have benefits for both Cakewalk and its customers. I believe however, that there is a genuine and fully understandable reason why this option hasn't been introduced - the sell on value of a 'single' licence is almost impossible to quantify because due to Cakewalk's rather attractive upgrade pricing. As most of us didn't actually pay full market retail price for the latest version, it would be unfair to be able to sell a full version of SONAR if you only paid the $99/£79 upgrade price. I'm sure there is a way of doing it, but I wouldn't want to have to work it all out.
|
paulo
Max Output Level: -13 dBFS
- Total Posts : 6218
- Joined: 2007/01/30 05:06:57
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 17:15:22
(permalink)
No. Just no. People need to wake up if they really think this will benefit the consumer rather than the vendor.
|
John
Forum Host
- Total Posts : 30467
- Joined: 2003/11/06 11:53:17
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 17:16:46
(permalink)
Thats the way its been for as long as I can remember Steve. Think about it, owning has meaning that is problematic to a software developer. Having a right to use the software is a very different matter. If you own it you have every right to it including in selling copies. If on the other hand you have access to it but have no claim to the code selling it would be a problem for you. I can fully understand why CW has that as a contract with its user base. It isn't freeware. I have no problem with how CW has written its EULA.
|
jbow
Max Output Level: -0.2 dBFS
- Total Posts : 7601
- Joined: 2003/11/26 19:14:18
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 17:24:10
(permalink)
DeeringAmps Am I the only one that feels that is exactly the business "model" we are in with Cake? I pay my $99 or whatever every year, and as Scott said; "For that entire year you get any new versions/updates. If you stop paying, your software still works, forever" What's the problem??? Tom
I was thinking the same thing but I would rather pay one fee and get all te PC modues and everything else. Also, I do not have Reaper but I like the way that they tell you how many updates/upgrades you are paying for... and it seems that they do not hold back on updates and/or tweaks. It seems like a subscription model under a different name but one where you don't have to worry about paying some monthly fee or your softare stops working. The subscription model has lost me to one company already: MasterWriter, it is good software but when it comes to paying every month for it... I end up using a spiral notebook (and do just fine). I agree with Mike's first post. Iit isn't exactly what he said but the whole thing reminds me of the "so called" affordable Care Act... or insurance in general when someone starts setting mandates... I end up paying for things I don't want, will never use, or need in any way. I don't like that and I certainly do not want it in something I enjoy doing. Mike, I am not saying you said that... but that is what I thought of when I read your post. I think if a company like Cakewalk wants to have a steady stream of money coming in they could switch to $8.00 (OK, $10.00) a month and include everything that comes along (including PC modules/VSTs), and keep it coming. Every tweak, bug fix, new feature... (maybe). From an accounting POV they would have to be prepared to not have the large influx of cash they are used to getting when they release a major upgrade. I think the best business model, for the end user, is what Reaper offers. Pay a defined ammount and get a defined number of updates through a pre-defined upgrade upgrade number. I prefer to own my software and I prefer NOT to have to purchase things I do not want, though Sonar already includes things I don't use but being a upgrade that is $100.00 or so annually or bi-annually I tend think of it as a total package. HOWEVER if I were paying monthly I would be looking at it less as a package and more as a collection of components and updates. I don't think I could help but compare the monthly fee to whatever updates, fixes, and goodies I am getting and how often I get them and how useful they are to me. Paying a monthly fee and getting things month after month one does not need or want... well, and that is going to apply to someone no matter how you slice it. One is going to be thrilled with what they get and someone else is going to be like.. pfffft. It seems to me that a company like Cake would be asking for more complaintsthan they now have if they went to a monthly subscription fee. Some would leave Sonar on principle, just because they would not like feeling as if they don't own what they are paying for. I cannot imagine any new customers coming in because they have a subscription plan. I think it is a gamble but that is just my opinion and it could be wrong. One thing is certain, if this is the wave of the future we wont have much to do with it one way or the other. Someone at Roland will decide on whatever business model they believe will generate the most income and that will be that (or I could be wrong, but I doubt it). Then... it will be left to the Bakers at Cakewalk to make sure whatever business model is decided upon... will be a good deal for the end user and customers will both buy it and like it. I don't know about big business but perhaps someone can step up and tell the bean counters, "WOAH... that wont work" or "Yes, but..." If it were my decision I would shamelessly copy the business model of Reaper. Then again... constantly releasing "fixes" and small upgrades could cause constant problems for some users who would likely be very vocal. Change is always hard and Cakewalk has been through enough major change since the release of the X series. Another major change might d more harm than good. There are a lot of different angles you can look at this from... and there is ALWAYS the "law of unintended consequenses". After considering everything I would wait and I would tread lightly. I think there may be a blues tune in here somewhere. At least we aren't discussing iSonar. Julien
Sonar Platinum Studiocat Pro 16G RAM (some bells and whistles) HP Pavilion dm4 1165-dx (i5)-8G RAM Octa-Capture KRK Rokit-8s MIDI keyboards... Control Pad mics. I HATE THIS CMPUTER KEYBARD!
|
stickman393
Max Output Level: -60 dBFS
- Total Posts : 1528
- Joined: 2003/11/07 18:35:26
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 20:35:55
(permalink)
My first thought was that software subscriptions is a gateway to legitimizing buggy, incomplete releases, particularly if the code base and development team wasn't up to scratch. Consider a theoretical company that is moving to a subscription-based revenue stream: I don't believe updates will be on any more frequent release schedule, just because the revenue stream is subscription-based. I guess it depends on the company. If they are able to issue frequent, stable patch updates, then they have no reason not to do so, subscription or no. So if they aren't doing it now, they're not going to start doing it. What about more frequent feature releases? That really depends on the nature of the software... and how modular the code-base is. In order for the release to be stable, I think they'd need to concentrate on a specific feature: For example, imagine Cakewalk spends the next 6 months working on improving the Score Editor (and nothing else). When it was baked, they could release it as a point feature release (like, say, 2.0 -> 2.1) free to subscribers. Some of us would be over the Moon about it, providing the changes didn't de-stablize the rest of the product (that's what I mean about a modular code base). Others would probably complain bitterly that the point release contained nothing for them, and that their subscription $ was wasted. There'd be arguments and polls over what feature should receive development attention next time. On the other hand, if the development team and code base allowed this kind of release schedule, then why wouldn't they be doing it now, as paid updates? Then only those users that cared about the feature would pay the money. The rest would wait for a "roll-up" release and pay the usual full upgrade price. I'm not sure that subscriptions would alter how the software could be developed, so I don't see any benefit for end-users. I know you weren't talking specifically about Cakewalk, Craig, but if Cakewalk changed to a subscription model, I'd go along with it because, as others have said, that's essentially what we do today (although I wish I'd sat out the X1 release). But a new company, with a new product? A subscription model would put them at the bottom of my list.
post edited by stickman393 - 2013/07/23 20:53:22
|
pianodano
Max Output Level: -67 dBFS
- Total Posts : 1160
- Joined: 2004/01/11 18:54:38
- Location: Va Beach Virginia
- Status: offline
Re: What About Subscription Models for Software?
2013/07/23 23:03:30
(permalink)
With the potential for "new features" in upgrades nearly exhausted AND the market probably saturated, I can't imagine how DAW developers can stay in business any other way. I am strictly referring to further debugging. Keep new sales as is but updates, by subscription only. That might make everyone happy. Hopefully that would end the necessity of filler "new features" that we all must endure just in the hope of getting rid of bugs. But in version after version we all know that they zap a few old bugs and introduce dozens of new ones with new "features" - always and without fail. For the company that is a convenient sales model - until the people finally figure the game it out. From there - the only place to go is cheaper because you have killed off your core base. Well Duh! For any user, it's a circular argument. I cannot understand why people haven't already figured that out. I have been pleading for them to offer a subscription for years. Maybe they could develop this stuff to it's true potential.
post edited by pianodano - 2013/07/23 23:32:10
Best, Danny Core I7, win XP pro, 3 gig ram, 3 drives- Lynx Aurora firewire- Roll around 27 inch monitor, 42 inch console monitor- Motif xs controller - Networked P4's and FX Teleport for samples- Muse Receptor VIA Uniwire for samples and plugs- UAD QUAD Neve - UAD 1- Sonar X1 but favor 8.5 GUI - Toft ATB 32 - Vintage hardware - Tascam MS-16 synched via Timeline Microlynx -Toft ATB32 console
|
dubdisciple
Max Output Level: -17 dBFS
- Total Posts : 5849
- Joined: 2008/01/29 00:31:46
- Location: Seattle, Wa
- Status: offline
Re: What About Subscription Models for Software?
2013/07/24 02:10:39
(permalink)
I can tell you that so far every update I have received from a year from cloud Adobhe cloud usage were bug fixes that would have likely been updated anyway. No remarkable new features or products that I would use.
|
phrygiann
Max Output Level: -88 dBFS
- Total Posts : 137
- Joined: 2009/09/01 13:56:32
- Status: offline
Re: What About Subscription Models for Software?
2013/07/24 02:44:07
(permalink)
Im living in a place where my desktop is not connected to internet ( no internet access ). Can i still subscribe with this set up?
Windows 7 Home Premium 64-bit; AMD Phenom™ II quad-core processor 820; 8GB DDR3 SDRAM; 3.1GHz oc'd; 1TB hard drive; 1 TB 2nd hdrive, 1 TB usb 3.0 external HD. Roland Quad-capture, Casio PX-310; senheisser MK-4, Shure SM-58; Senheisser HD 380 pro, krk rokit6. Subaru forester 2012.
|
kzmaier
Max Output Level: -81 dBFS
- Total Posts : 461
- Joined: 2010/10/18 08:20:01
- Location: Rochester, NY
- Status: offline
Re: What About Subscription Models for Software?
2013/07/24 11:21:31
(permalink)
Hi Craig, Dig your work! As for subscription software, I must say it makes me nervous. I am a software engineer and I strongly encourage a strict release process where a running version is well tested and controlled. Many sub-iterations can be difficult to control and support. Just my 2 cents.
|
Beepster
Max Output Level: 0 dBFS
- Total Posts : 18001
- Joined: 2012/05/11 19:11:24
- Status: offline
Re: What About Subscription Models for Software?
2013/07/24 11:33:27
(permalink)
phrygiann Im living in a place where my desktop is not connected to internet ( no internet access ). Can i still subscribe with this set up?
I'm not sure but you may be able to download the appropriate codes or whatever to unlock the program then transfer them over on a USB key. I think there are some subscription based services that actually require you to be on the internet while working though which would suck for resource intensive things like audio where internet can screw things up.
|
Keni
Max Output Level: -17.5 dBFS
- Total Posts : 5769
- Joined: 2003/11/04 10:42:15
- Location: Willits, CA USA
- Status: offline
Re: What About Subscription Models for Software?
2013/07/24 11:42:09
(permalink)
Anderton I was involved in writing a book on Audition Creative Cloud, and there was a huge amount of discussion about the way they were implementing the subscription model for all Adobe Creative Suite products. I wrote an article about subscription software for Pro Sound News, and an editorial for the Harmony Central newsletter. I'm curious what you guys think of the subscription model. A lot of software companies, not just Cakewalk by any means, have improvements ready to go months before a "significant" update. A subscription model would let features roll out when they were ready. When Adobe first announced the Creative Cloud it had a significant flaw: If you stopped subscribing, you were hosed and couldn't load old projects because the old software wouldn't work any more. Adobe is going to offer a solution, but I think the simplest one would be that you could pay a nominal "finalizing" fee that froze the software in whatever state it was in, and you could keep using it as long as the rest of your system was compatible. However, that particular implementation turned a lot of people off to the concept, including me. But now that I've had a chance to think about it, I'm starting to feel that there's not a problem with the subscription model per se, it depends entirely on how it's implemented. If it's driven by marketing to maintain a constant cash flow, that's different than if it's driven by a software company to create happier users by getting updates into their hands sooner, and without them having to lay out a big bunch of cash all at once. I think one advantage of a subscription-based system I never see mentioned is that it separates the learning curve into smaller, bite-size chunks. After you've figured out a new feature, then another one comes along. I still have an open mind about this although I'm starting to lean more toward "If done right, the subscription model could be cool." So - what do you guys think? Good, bad, indifferent...and if a subscription model was implemented, how would that work from an ideal standpoint?
I think we miss the point that we are currently in somewhat of a subscription mode. We aren't paying to buy a finished product, were paying for the continued development of a product based on its current ass-is state... I've been mentioning this in other threads as well. I think that marketing should make a point of this and possibly "add" some other payment schemes as options. As to the regularity of update releases? <sigh>... Keni
|
Glyn Barnes
Max Output Level: -0.3 dBFS
- Total Posts : 7564
- Joined: 2009/06/10 05:12:31
- Location: A Stone's Throw from the Line
- Status: offline
Re: What About Subscription Models for Software?
2013/07/24 12:29:11
(permalink)
Mystic38 Steve & Glyn, have you tried Lightroom + paint shop pro?.. Since I adopted LR I found that 90-95% of my work is within that environment, and so for the nasty lil bits that you just have to sort out I can launch PSP from within LR, make the detail edits, and return to LR.. edit history is maintained correctly in LR so its a homogeneous solution to me... and bang/$ is off the charts..don't let the cost fool you into thinking its not much of a program. Ian
Thanks for reminding me I have a Paintshop Pro license somewhere, not that up to date, X I think. I stopped useing it because some of the background programs were conflicting with Sonar. Now I have a dedicated DAW and the photo software is on a different box that should not be an issue. Its certainly worth investigating the integration and upgrade options. I liked the program and features.
|
dubdisciple
Max Output Level: -17 dBFS
- Total Posts : 5849
- Joined: 2008/01/29 00:31:46
- Location: Seattle, Wa
- Status: offline
Re: What About Subscription Models for Software?
2013/07/24 12:42:33
(permalink)
phrygiann Im living in a place where my desktop is not connected to internet ( no internet access ). Can i still subscribe with this set up?
You need to sign on at least once a month via internet.
|