Well I'm happy to report that Sonar blows Cubase away as far as I can tell after a week of recording a few songs from scratch in Cubase 7 . Mind you I'm only using Elements which would be the same as using plain X3. But unless there's way more to the basic features in the full version, I'm not impressed at all. As far as the literature say's all Cubase versions work the same with layout and basic functions, you just get more stuff as the price goes up the same as Sonar. If this is not true someone please correct me.
Any one of use could open Plain Sonar x3 and set it up in a matter of minutes with nothing other than a few tools and plug ins missing. As a matter of fact we could open any version of Cakewalk and be OK. The layout and editing should all be the same. So I'm basing my experience with Elements with the understanding that the things I find lacking, are global to all versions. Like adding an effect.
I'll qualify myself by saying I like my DAW to more or less mimic the real world of audio. In other words I like to work as close to the way I am used to working with old school gear.
If I want to add reverb to my Vocal tracks, I plug in a reverb unit and use an aux send and return it to blend it back to the Master output. I need to control both the level of the send, and the amount of the return. We all know how simple this is in Sonar. And how visible the sends and the Reverb bus are, also how quickly we can pop open the GUI and make changes.
For the life of me I could not get used to Cubase's weird layout and I never found how to have an effects send control added to the track inspector. I have tried demos of Reaper which seem to work more logical than this. I could go on about every aspect of what I found but all I'm going to say is other than it's a solid stable DAW, it is weird to work with. Over all it has a Sonar 5 feel to it. Nothing happening here folks, keep moving,
My family wasted $99 on my present so I'll pretend I use it a lot :) I think I can re sell it?
I'm not totally sure it's registered because it does everything with the eLicencer.
I might find a use for it as a lightweight live recorder. Just don't ask me to edit anything with it or make a mix down.
Craig- my only frustration with Sonar is when I want to do something like lower or raise the level of one tiny phrase in an audio track. In Wave lab this takes one swipe and a mouse click.
I guess it's not possible to have certain customization options available on a mouse click.
I'm just going to have to dig deeper into Sonars Keybindings and such. For now it's just as easy to tool copy to Wave lab.
The other thing that's been bugging me is when you go to chop up or slip edit an audio track with automation on it. All hell breaks loose. I just happen to have been happier with 8.5's track editing. It would have been cool to have an 8.5 editing mode! My problem is I just get busy working and recording and really don't have time to spend exploring options.
I'm not kidding that it would be cool if Sonar had a Basic and Advanced Mode.
Or instead of the 3 versions how about a version for each music production style.
I'm paying for features that I have no use for like all those wonderful weird space fart synths and techno tools.
My proposal would be:
Sonar Audio - Optimized for audio editing and production, midi, basic synths. No looping or space farts. Easy to use by real musicians, bands and singer songwriters.
Sonar Producer- Optimized for electronic music - Lite on the Audio tools and effects, but lots of synths and looping functions. Easy to be used by people with no musical ability.
Sonar Deluxe - Combines the Audio and Producer version. Hard to use by both Musicians and Electronic Producers. This is sort of what we are getting now.