emeraldsoul
I bet Einstein would have liked this when he left.
 
Really cool all the way through! Dan summed it up nicely.
 
I'd vote for a fade out ending.
 
 
-Tom

Mesh
Absolutely wonderful song, lyrics and mix mate!! It translated really well on headphones as well as my monitors (my little girl enjoyed dancing to this......2x). The Bass was very pleasant and prominent on this one......nice!!! Bapu just knows the right amount needed.......just fabulous!! 

jmasno5
As always, nice job, Daryl!  Sorry about the exit and into the Brexit but I hope you continue to be nearby in the forum.  Ugh!  Setting up a studio in a new room.  Days, weeks, months, before you get use to the sound (unless you mix on headphones)  you'll be needing us to tweak your tunes:)

synkrotron
Hi Daryl,
 
Another great little original ditty from the Staypress camp
 
cheers
 
andy

jamesg1213
Excellent song Daryl, perfect slice of pop. Why are you coming back, if that's not a difficult question to answer on a forum?

Passive Drift
I listened to many of your songs earlier this morning and a couple weeks ago.  Rocky poppy, rock... with a twist of Wanka....
Your style is Really Cool!
 
I'm kind of staying away from the "mix critic thing"... :)
 
Peace!

yorolpal
I just about love your sound near to death.  It picks me up when I'm down.  Turns my frown upside down. Heck I'm happy as a clown...over the moon, after hearing one of your tunes.  Keep em coming.  And don't go writing anything macabre, depressing or cringe inducing.  That's my job:-)

mgh
Great stuff. is it wrong that I have kids TV in my head for the chorus - Roobard and Custard, Grange Hill?!

Cookie Jarvis
Well done...congratulations and condolences at the same time( on the move that is  )!
 
Bill

Larry Jones
Bittersweet, emphasis on sweet! (Perfect mix, too.)

daryl1968
 
Rochester has it's moments but I'm looking forward to some Fish and Chips

thedukewestern
That's great!
 
My only "corrective" critique is in the vocal treatment....   there's a slight touch of .. and I mean just a touch...of presence in the lead vocal that could come off as harsh on some systems.  I'm gonna guesstamate  2.5 to 5 k - somewhere in there.  I wouldn't cut it because its really appropriate - I would search for a multiband solution to pull those back when they pop out - and then in turn get a db or 2 more in lead vocal level so all your perfect the lyrics are totally audible! 
 
for example - say your song gets in a movie - and we watch it on our flatscreen with crappy speakers... that tend to be very harsh - it will really accentuate this area.. firing sibilance into any innocent bystander within earshot
 
A "creative" critique in the vocal would be to add a dash of pre-delayed verb around the lead vocal as its a little dry ... which.. I do like... but occasionally its slightly uncomfortable...    Also - those amazing background vocals... I would look into treating some of the passages differently than the lead vocal as your perfect song progresses.
 
For example:  There's a a harmony vocal in your verse, I think it blends very well.  Then - at 46 seconds, there a minor key change and there's a different snare sound that's got less high end and a really cool verb trail - I would attempt to change the harmony vocal somehow at this point  to tell the listener even further that the journey is "moving on"... and then the chorus (55 seconds) I would open up the harmony vocals even further.  Sometimes when I track vocals, Ill wind up with 3 or four tracks that contain everything.. leads and harmonies.  Then - Ill go through and distribute the vocals to different tracks via the song structure.. say "ramp bgv".. "chorus bgv"  or at 2:23 "I'm Still" -  Id try to do something cool with that.
 
I think its an awesome song!!  Great job!